A Quote by Justin Deeley

If I could be a country music star, I'd do it in a heartbeat. I'd hit the road and just jam out. — © Justin Deeley
If I could be a country music star, I'd do it in a heartbeat. I'd hit the road and just jam out.
There's a heartbeat in any country that carries on regardless - at least in Europe. That's what worries me about America, because I'm not sure what that heartbeat is - unless it's the heartbeat of someone who's just arrived, who just ran over the border two weeks ago.
And at any moment it all ends with a heartbeat…just one heartbeat, and there’s no more time. One heartbeat and the chance to be saved is gone. One heartbeat and there’s no more choosing—it’s all sealed for eternal life or eternal death.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
I grew up in Nashville, born and raised. I'm a country girl, and I love country music. I had a dream I was going to be the first black female country music star, but then that wasn't the case.
The doctor heard my heartbeat and found out I had an irregular heartbeat. I was not symptomatic or aware of my symptoms. I had no idea that this could make me five times more likely to have a stroke than somebody who doesn't have this.
Country music is so related to gospel. It seems I could go down that road pretty easily.
Mike, the best band to ever come out of Seattle was, of course, Pearl Jam. And that's what I expect the Seahawks to do - just jam it up the middle.
At 82, Nelson (who wrote the song "On the Road Again," among a thousand or more others) is the elder statesman of country music, a steadying and powerful voice in the industry and on environmental issues, and he's still on the road much of the year. The music keeps calling.
From 11 to 17, I just toured my butt off with my dad and my sister. We hit the road and I was singing all kinds of different songs and different types of genres. But I knew from an early age what I wanted my sound to be, which was country on bass, and I wanted to be a country artist.
I don't need all that much - I just need to know who my characters are and what kind of jam they're going to get into, and I'll write myself out of their jam.
When I got out of high school I hit the road. I lived like a gypsy. Those were the best times of my life. I was living from club to club not knowing where my next meal was coming from. No credit cards, no apartment, no bills, no managers, just on the road with a truck and five guys.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Country music in the mid-'90s was a big influence on my career, and I played all the songs that are referenced in '94' back in my club days. Joe Diffie was rocking a sick mullet, and he was hotter than ever... just putting out monster hit after monster hit. It totally takes me back to those days, and it makes me smile every time I hear it.
Def Jam commented on one of my Instagram photos once, and all my friends me hit me up, like 'Yoooooo, you signed to Def Jam?'
Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
There's a new hit rock group or singer every five minutes, but with country music, you have one hit and those people love you forever.
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