A Quote by Justin Lin

If you cast an all-white movie and it doesn't do well, no one will say it's because you had an all-white cast. — © Justin Lin
If you cast an all-white movie and it doesn't do well, no one will say it's because you had an all-white cast.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
Why is it when a woman makes a film or a movie stars a female cast it is labeled women-centric because it is not white, male and middle-class men?
She was white, perhaps too white. Her eyes, which were almost always cast down, when she raised them testified to the purest of souls, and when she smiled, revealing her small, white teeth, one might be tempted to say that a rose is merely a plant, and ivory just an elephant's tusk.
Well, first of all, let me say, Erik Palladino, Paul Schulze, Ian Reed Kesler, even Malcolm-Jamal Warner, Carly Pope, we just had an outstanding cast of a guest cast in [Suits].
If you cast your supporting cast well, it should be seamless. You shouldn't even notice who's a big part and who's a small part. A good cast enriches everything.
Every last cast is actually a first cast. The first cast and first chance to catch the next fish. The next time you anguish about whether to make that last cast, forget it - the anguish that is - and cast away. The next fish caught on a last cast will not be the first.
I was given a White House - well, you will have to ask the White House that. But I asked to attend the White House briefing because I was, you know, because I wanted to report on the activities there.
When it comes to casting for movies, it is a priority that you cast right. The guiding principle must be what is right for the movie, that is the basis you cast someone, not because so-and-so is a friend.
Any time you cast an actor, you don't just cast that actor; you cast all their other performances as well.
To any white body receiving the light from the sun, or the air, the shadows will be of a bluish cast.
I was born in Honduras, that's where I was born. I live in California, where no matter what you say, you're Mexican. You understand that? It doesn't matter what you say. See - you don't understand that, white people, because wherever you go, you're white. You're here, you're white. You go to L. A., you're white. You go to Denver, you're white. You go to Miami, you're still white. In L. A. I'm a Mexican, In Florida, I'm a Cuban. In New York, I'm a Puerto Rican. And when I come to Canada and I find out I'm an Eskimo.
We were truly all the same (brothers) - because their belief in one God had removed the white from their minds, the white from their behavior, and the white from their attitude.
Every time I embrace a black woman I’m embracing slavery, and when I put my arms around a white woman, well, I’m hugging freedom. The white man forbade me to have the white woman on pain of death... I will not be free until the day I can have a white woman in my bed.
It's almost impossible to get a movie all together when there are two main cast members, let alone an ensemble cast with everyone's schedules. It's crazy if it works out.
white criminals commit the biggest crimes.a brother might rob a bank. a white man will rob a pension fund. the brother is going to get ten to fifteen years because he had a gun. the white guy is going to get a congressional hearing because he had a job and a nice suit.
I have thought about Happy Days made into a movie. As far as the original cast not being a part of it, wow, I don't know who could be who! I just don't see it going in that direction. I can see the original cast doing the movie very easily though.
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