A Quote by Justin Lin
Without 'Annapolis,' I wouldn't have gotten 'Tokyo Drift' - I wouldn't be here today. And, so, it's part of who I am.
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Well I am from Annapolis Maryland. I went to High school in Baltimore, but I grew up in Annapolis. It was a cute town. We lived on a waterfront community. It was good, even though I don't really fit the preppy boater kind of style.
Pre-'Tokyo Drift,' I was like: 'Am I gonna play Yakuza #1 and Chinese Waiter #2 for the rest of my life? Is America even ready for an Asian face that speaks English, that doesn't do Kung Fu?'
I am incomplete without my work. I am so closely bound to it, so much identified by it, that without it I think I would crumble into dust and drift away.
When I did 'Tokyo Drift,' a lot of the philosophy that Han lived by I have actually gone through in my own life. As I got older, I realized that I really believe in those philosophies, like the importance of family.
My dad was a professional footballer before I was alive. When I was growing up, he was the one who coached and mentored me and helped me to become what I am today. Without his coaching and without his insight and the days and the hours that he put in with me, I wouldn't be the player that I am today.
My kids inspire me to be the person I am today - without them I wouldn't be who I am today.
Today I am discovering who I am. Today I am becoming my person, worthy of developing all of me. Today I am beginning to know that I am okay the way I am.
I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
Prior to 'Tokyo Drift,' the iconic perception of Asians in Hollywood films has been either the Kung Fu guy, the Yakuza guy or some technical genius. It used to be such a joke, to be laughed at rather than with.
If the ego is not regularly and repeatedly dissolved in the unbounded hyperspace of the Transcendent Other, there will always be slow drift away from the sense of self as part of nature’s larger whole. The ultimate consequence of this drift is the fatal ennui that now permeates Western Civilization.
I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.
"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
I have gotten where I am today only because I have persisted against all odds for a long time.
I think when we shot 'Tokyo Drift' I was a little too young to really understand what made Han who he is, and then I got older, and you start to make a little bit of money, and you realize that money will never buy you happiness.
I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human race, as my spirit is part of my nation. In my own very self, I am part of my family.
I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.
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