A Quote by Justin Lin

Hollywood should be global. — © Justin Lin
Hollywood should be global.
If Hollywood is the global producer for [media] products all around the world, that's of concern. If all audiences around the world know of America is what they see from Hollywood, then we're in trouble.
I believe investors should invest for the long run, so I don't buy and sell. I usually maintain the classic index of global equities, diversified U.S. and global and emerging markets, and when the risk is larger, I diminish the amount in global equities and put more into liquid assets - but very irregularly.
I thought I should forget Hollywood and go back to Hong Kong. I'm so lucky that finally Hollywood accepts my comedy fighting.
The United Nations remains the sole universal international organisation designed to maintain global peace. And in this sense it has no alternative today. It is also apparent that it should adapt to the ever-changing world, which we discuss all the time: how it should evolve and at what rate, which components should undergo qualitative changes. Of course, I will have to or rather should use this international platform to explain Russia's vision of today's international relations, as well as the future of this organisation and the global community.
There is no way to turn off this global economy, nor should one try. Every previous expansion of global capitalism has led to greater prosperity across the world.
If I was American, I think I'd live in New York, because I like that East Coast mentality. There's nothing wrong with Hollywood. If you want to be a big time filmmaker, you should go to Hollywood.
Sooner or later, you will see a China-based company that really has a global impact, and I think Baidu has a chance to become one of those companies. We should be able to compete on a global basis.
We try to push such crazy ideals onto young women: the Hollywood version of what they should look like, what they should do, and the kind of Prince Charming they should be looking for. We should just be proud of who we are, because we can't be anybody else. So what's the point of trying?
I am financing global pictures with global talents. Of course I will bring in the Chinese elements, yet you have to have global talents to create a global picture.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Now, here's a good question: should serious people focus on global political instability - terrorism, failing states, nuclear weapons - or should we focus on global climate instability - droughts, floods, extreme weather? Here's the correct answer: yes, both, because climate disruption will make every other national security problem worse.
Global warming is actually a misnomer. It should be global extremes and global swings, because you add - as you add more energy into the atmosphere, it sloshes around. Energy doesn't simply uniformly warm up the planet. And that means droughts in one area, enormous snowstorms in another area, 100-year floods here, 100-year forest fires there.
Unlike national markets, which tend to be supported by domestic regulatory and political institutions, global markets are only 'weakly embedded'. There is no global lender of last resort, no global safety net, and of course, no global democracy. In other words, global markets suffer from weak governance, and are therefore prone to instability, inefficiency, and weak popular legitimacy.
Global cooperation - dealing with other countries, getting along with other countries - is good. It's very important. But there is no such thing as a global anthem, a global currency, or a global flag.
We are in a global economy whether we like it or not. And we believe - I believe - that America should be at the table writing the rules of the global economy instead of China.
Mr. Reagan spent World War II, the global conflict fought and won by his generation, making training films in Hollywood.
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