A Quote by Justin Lin

There's no guidebook on how to be a filmmaker. I just try to do my best. — © Justin Lin
There's no guidebook on how to be a filmmaker. I just try to do my best.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
There's really no difference between what I do and what a male filmmaker might do. I mean we all try to make our days, we all try to give the best performances we can, we try to make our budget, we try to make the best movie we possibly can.
Just ask the local people for the best food. Don't rely on a guidebook.
Major cities are divided into two parts; the bits that are in the guidebook and the bits that aren't. If you don't take a guidebook, you'll see a different city.
I'm a film director. Gay is an adjective that I certainly am, but I don't know that it's my first one. I think if you're just a gay filmmaker, you get pigeonholed just like if you say I'm a black filmmaker, I'm a Spanish filmmaker, I'm a whatever.
What I have learned first and foremost is to follow your instincts. As a filmmaker, there are no rules as to how to play this game. That is a big problem I think that exists in the education on how to be a filmmaker or how to make movies.
I'm generally a highly motivated person. I always try and be the very best I can be, so I'm just gonna try and take every day and be the best that I can be, and prove myself to the WWE Universe and the WWE in general, and see how far I can go.
With filmmaking, I for so long was like, oh, I need permission to go out and be a director and be a filmmaker. And I read Robert Rodriguez's 'Rebel Without a Crew.' He just went out and did it, man. In his book, he even says just put your name on a business card and say you're a filmmaker. Congratulations, you're a filmmaker.
I try not to think of myself as a woman filmmaker. I don't look for women influences. I have noticed in the past few years that there is a certain ceiling that a woman filmmaker can reach. I don't believe that it's sexism per se, but there are certain expectations in the industry about what films should be, how they should be made, what stories they should tell, and it's a habit, it's a tradition.
I just try to live the right way the best I can. I make plenty of mistakes but I just try to do the best I can and be a great example for my kids.
But I just try to do my best. I don't know if my game can influence the game of the team and how we play, but I just try to help with my football, for my team-mates and the club.
I'm not the kind of filmmaker who's going to go from one thing to the next. I often wish I was that filmmaker, but I'm just not.
I think Frank Capra was a much craftier filmmaker, a wonderful filmmaker. He had enormous technique, and he knew how to manipulate the public quite brilliantly.
You would assume that a filmmaker should know how to edit, but pretty much every filmmaker I've worked with doesn't know how to edit.
Live television is just like competing on live TV. You're never going to be perfect. You just try to prepare the best that you can and execute the best that you can and try to be in the moment.
The goal is just to try to get better and better, and the only way that makes sense to do that is to work with the best people. Surround yourself with the best artists and learn from them, and try to sink your teeth into the best material possible.
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