A Quote by Justin Lin

When I go on set, it's very important, the lenses I choose, what I choose to frame or not frame and that's how I make my movies. — © Justin Lin
When I go on set, it's very important, the lenses I choose, what I choose to frame or not frame and that's how I make my movies.
This I choose to do. If there is a price, this I choose to pay. If it is my death, then I choose to die. Where this takes me, there I choose to go. I choose. This I choose to do.
I have real TV studios. If I have an idea, I can go shoot it. I can experiment. If I choose to air it or not, it's at my discretion. I don't have to do it to somebody else's time frame.
Art's whatever you choose to frame.
Each new moment presents an opportunity for conscious choice. We can choose to let go of the past. We can choose to be here now. We can choose to accept responsibility for ourselves. . . . We can choose to awaken. Or we can choose to remain asleep and unconscious.
The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.
We are not permitted to choose the frame of our destiny. But what we put into it is ours.
You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
How you frame an issue shapes how it is viewed by others. Great advocates frame their ideas as problems that need solutions.
How you choose to respond each moment to the movie of life determines how you see the next frame, and the next, and eventually how you feel when the movie ends.
Why is nobody questioning the sanity or suicidal tendencies of Everest ascenders? It's kind of a question of framing: How do you frame these activities? We frame them as freedom-loving, exciting, progressing sports and they are. But there are other ways to frame it. It's also true that these young men, neurologists say that their frontal lobes aren't developed yet - the long-term planning part of the brain.
There is only one way out of the trap: that you don`t choose; neither this nor that - you simply don`t choose. You withdraw from choice and you become choiceless. Choicelessness is freedom. To choose is to choose a prison; to choose is to choose a bondage. To choose is wrong, to be choiceless is to be right.
I sometimes say to people, "I am a window frame - no more. The window frame is not that important. What is important is the light that comes through the window.
We do not choose to be born. We do not choose our parents, or the country of our birth. We do not, most of us, choose to die; nor do we choose the time and conditions of our death. But within this realm of choicelessnness, we do choose how we live.
When the frame's safe, I like to let myself go a bit; play a few more entertaining shots rather than just getting the frame over and done with.
I choose bold. I choose action. I choose what's right for the people. I choose to make a difference.
Everyone has problems. It's how you choose to deal with them. Some people choose to be whiners some choose to be winners. Some choose to be victims some choose to be victors.
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