A Quote by Justin Lin

I grew up in the working class suburbs in the 80s so I do love Hollywood movies but what I don't like is when they take something that's successful and they recycle it.
I grew up in the suburbs, a calm suburb, without tension, with working-class and middle-class people mixed together.
I grew up in the suburbs, sometimes country-like suburbs because we moved around, but mostly suburbs.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
I don't like to play the macho card, but I grew up in a working-class family and a working-class culture.
I grew up in the Seattle suburbs - the suburbs of suburbs. Where I'm from, it's super quiet, just woods and nothing.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'
I've never lived anywhere else in my life, I have a massive love-hate relationship with this city. I grew up in the western suburbs in the '80s and for everything we had to go to south Bombay - so you lived the whole city, in a sense.
I grew up in a house with a mother who was a teacher and a Freedom Rider - very left-wing Democrats living in a heterogeneous working-class neighborhood. I picked up a lot of those values there, and I brought them with me when I showed up in Hollywood.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
I grew up in the suburbs of Philadelphia and one of the things I like to say is that one of the biggest impediments I had to becoming a successful writer is I had a very happy childhood.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
My parents grew up working class, but in that way that working class families do, they spent a fortune on education to better me.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.
I wasn't a fanboy of horror. I didn't grow up on horror movies. I grew up loving all movies. I still love all movies, but I particularly love scary movies - as much for the culture around them as the movies themselves.
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