A Quote by Justin Lin

I left 'Fast and Furious' because I just felt like, at a certain point, after number six, there wasn't another story that I wanted to tell. — © Justin Lin
I left 'Fast and Furious' because I just felt like, at a certain point, after number six, there wasn't another story that I wanted to tell.
My age has so little to do with my image of myself because at a certain point, the number just didn't fit how I felt. It has become irrelevant to me. I just don't feel like that number is representative of my spirit, of my energy or my anything!
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I don't want people to think like Roddy is John Legend now. I just felt like once I got to a certain point, that I wanted to expand musically.
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.
When I was making the 'Fast and Furious' movies, I wasn't trying to make a 'Fast and Furious' movie.
Is it because they are so comfortable, they already know what the other is thinking? Or is it because after a certain point, there is simply nothing left to say?
I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.
For me to join 'Fast and Furious' was like a childhood dream come true, and and I felt it became a great movie.
I should’ve been furious, but for some reason I wasn’t. Maybe because I knew he was telling the truth. Maybe because Voron left me just like that, without the much-needed explanations. Maybe because things I had learned about him since his death had made me doubt everything he’d ever said to me. Whatever the case, I felt only a hollow, crushing sadness. How touching. I understood my adoptive father’s killer. Maybe after this was over, Hugh’s head and I could sing “Kumbaya” together by the fire.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
I didn't worry about leaving the fast lane - I was just so consumed with my baby that it seemed like the right thing to do. I never felt like I left New York, though. If you've lived in a place and loved it, you never feel like you left it.
I think the debating thing actually helped to establish to me that being popular was completely worthless. I didn't enjoy the social dynamic and immediately left after becoming number one. But it felt like I needed to do it to know what it was like. It wasn't just that I was an aggressive person, although that probably is true to an extent.
'Fast And Furious 7' was quite random. I remember that it was the first holiday that I took in the entire year. I was in Mussoorie for two days with my friends when I got a call from my international PRs asking me to audition for 'Fast And Furious 7.'
We were fortunate enough to shoot 'Alps' - write the script and shoot it - right after 'Dogtooth' premiered in Cannes. So we didn't just sit around and wait to figure out what to do because 'Dogtooth' was successful. We just wanted to make another film fast, so we just went ahead and did it.
I look for a great story. One that I would like to watch, or tell, or that I think needs to be told, because I know that, as an actress, I have a responsibility to tell certain stories and to tell them properly.
This site uses cookies to ensure you get the best experience. More info...
Got it!