A Quote by Justin Simien
I saw 'Beauty and the Beast' at eight years old in theatres and spent hours trying to recreate the majestic imagery of that story in a drawing notepad at home.
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I've spent the last few years really trying to come out of that belief system. Speaking mythologically, it's like Beauty and the Beast. The beast kidnaps the beauty until she learns to love him for who he is. In a sense, our negative beliefs kidnap our greatness, our life-force. We have to go and kiss them.
I saw my first two Broadway shows when I was 4 years old, 'The Lion King' and 'Beauty and the Beast,' and after both of them I came home and reenacted the entirety of the shows on my living room table for my family and friends. I started doing that after every show I saw until I actually did my first youth production when I was 5.
Think, for a moment, of the countless happy childhood hours you spent with this amazing device: Drawing perfect horizontals, drawing perfect verticals, drawing really spastic diagonals, trying to scrape away the silver powder from the window so you could look inside.
When we were kids, I know when I saw 'Pinocchio' it had a huge impact. I was ten years old, and I went home, and I was drawing the characters.
I spent a disproportionate amount of my time in a car in L.A. I'm 35 years old. If you add up the hours spent in cars, it would be years.
I got into politics when I was eight years old. Six years now. And I got involved because I started listening to talk radio. It goes back to one event. The Democrats filibustered something in the Senate when I was eight years old. I don't remember what it was on and I didn't honestly care when I was eight years old. I cared about the history and the Senate rules.
I had an agent who spent eight years - eight years! - trying to sell my stories. She sold other people's work; she just didn't sell mine.
In 'A Likely Story,' I wanted to recreate the events, the mood, and the imagery of my life as a teenager. I was thirty-seven when I wrote it.
We decided to have the baby at home because we wanted it to be a natural birth, and it turns out that it was 30 hours of natural. Eight hours of pushing - that's the part that men don't understand. Women go, 'Oh, dear, oh, dear God, eight hours of pushing?' And the men are like, 'Okay, eight hours of pushing.'
When I was 15, 16, 17 years old, I spent five hours a day juggling, and I probably spent six hours a day seriously listening to music. And if I were 16 now, I would put that time into playing video games.
I went to work at 11 years old. I became governor. It's not a big deal. Work doesn't hurt anybody. I'm all for not allowing a 12-year-old to work 40 hours. But a 12-year-old working eight to 10 hours a week or a 14-year-old working 12 to 15 hours a week is not bad.
The first play that I saw was 'Cyrano,' and I remember going home - I was like nine years old - and trying to learn the monologues.
Nobody worked harder than Mozart. By the time he was twenty-eight years old, his hands were deformed because of all the hours he had spent practicing, performing, and gripping a quill pen to compose. That's the missing element in the popular portrait of Mozart.
I think the first Broadway show that I saw was 'Beauty and the Beast,' and that was in 5th or 6th grade. Our school would take bus trips up to see shows, and so it was on one of their bus trips that I got to see 'Beauty and the Beast.'
Every day after school, for three hours a day, I would sell those pralines on the street corner. I was just eight years old. I'd bring the money home to my parents and say, "This is just the beginning."
It's a struggle every day, to stay present, not to become that...eight year old who was bullied and chased home from school. Some days I wake up and it's like I'm eight years old again. And I'm scared for my life, and I don't know if I'm going to be beaten up that day.
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