A Quote by Justin Simien
There was a time when a studio executive would really love something and have no proof at all that it would work and just do it because they believed in it. That's how 'Star Wars' happened.
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If there was any show I could guest star on, I would want to guest star on 'Star Wars: The Clone Wars' because I am such a nerd and I love that show. If there was ever an opportunity to be on that, I would snatch it up.
It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.
The Disney sale happens, Clone Wars closes out, and they start Rebels. And I remember talking with Dave Filoni at the studio, at a time when I didn't know what I would or wouldn't be doing for Star Wars. And Dave kind of shrug his shoulders and says what I don't have the courage to bring up, which is, "You know Maul is coming into Rebels, right?" And I was hoping! I feel like this guy, he got his mileage. He's had more than his fair share at trying to make his mark on the Star Wars universe.
'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.
I've said that I would play anything to do with 'Star Wars.' But really, deep down, I would love to come back as Darth Maul - that's what I want to do. I would go crazy, go mental, lock myself in a cabin, you know. Do the whole 'method' for two or three months, spear-fishing and stuff, just to play the character again.
It's now time for me to pass Star Wars on to a new generation of filmmakers. I've always believed that Star Wars could live beyond me, and I thought it was important to set up the transition during my lifetime.
The studio is really fun because I don't make it into the studio unless I've got something I really like. I love working with different musicians in the studio; that's a real joy, working with someone for the first time.
My friends and family are not really fixated on the specifics of 'Star Wars.' My parents don't know anything about 'Star Wars.' They've never watched a 'Star Wars' film.
'Southern Accents,' I think that's one of my best, really. That would have been 1984, and I wrote that on the piano in the studio at home. I had a studio, and I just happened to be down there in the middle of the night. It was quite late, probably early morning, and I just started to play, and a song just started to appear.
If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
I've been getting publishing royalties and stuff like that. I have just been lucky. They come in at the right time. Sometimes they don't, but I am not wealthy or anything like that. I just love to work. I would rather work three hundred and something days out of the year. I would rather be working. They don't know. I love playing. Then I can really get my music together.
I loved 'Star Wars' as a kid, but I missed out on the experiences of seeing them for the first time. It was before my time, and 'Lord of the Rings,' that trilogy felt like something similar to what 'Star Wars' was for previous generations.
When I met Harrison Ford I just kept thinking: "At what point do I break out my Star Wars memorabilia? When is it OK to have him sign something? Will he? And will I look like a total idiot!" The only time I ever got anything from another actor to sign was for my brother or my kids because both of my brothers are die-hard Star Wars fans.
I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.
I rewatched a lot of 'Star Wars' when I did 'Rogue One,' and the thing I learned was that as a young person, consuming 'Star Wars' at the level that I consumed 'Star Wars,' it kind of molds your visual psyche, so you see the world in 'Star Wars'-ian fashion.
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends have been evasive about it, at the time.
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