A Quote by Justin Simien
If I just wanted to put clean, perfect images of black people on the screen for an hour and a half, first of all, there are other people already doing that, and they're making a lot of money doing it.
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I thought it would be cool to Skype with fans on their birthday and spend, like, a half-hour with them. I did a couple of two-hour Skypes. I just hang out with them and play songs and stuff. At first they're kind of shy, but after a while they open up. I've had a lot of people tell me I'm doing something no one has ever done before.
The fact that I went from making a minute-and-a-half video in my bedroom to doing an hour-and-a-half live show is just crazy.
A lot of times, people make other people responsible for their joy: 'You're not making me happy, you're not doing this, you're not doing that.'
I spent a lot of time doing things other people wanted me to do, so I'm doing what I want to do now.
I spent a lot of time doing things other people wanted me to do, so I'm doing what I want to do now
My best friend growing up really put the bug in my ear about acting. We created this one hour-and-a-half improv play when we were 10 or 11 and performed it at the library. We just played off each other so well and had the best time doing it and the funniest part was, we wound up having packed houses, other people loved it too.
If you spend a lot of time with activists, as I have, they're just ordinary people who instead of Netflix are getting together in church basements and making posters or making phone calls doing organizing work. It really is about finding a community of other people.
Music is my life. I love doing it, so I just do it nonstop all day. And with dancing, I wanted to put on a show for people. I don't want to just be sitting there doing nothing, so that's when I started to dance.
Doing good with other people's money has two basic flaws. In the first place, you never spend anybody else's money as carefully as you spend your own. So a large fraction of that money is inevitably wasted. In the second place, and equally important, you cannot do good with other people's money unless you first get the money away from them. So that force - sending a policeman to take the money from somebody's pocket - is fundamentally at the basis of the philosophy of the welfare state.
I've heard some people say that I'm selling out, but I'm not. If I hadn't done 'Black Radio', and just kept on doing just piano trio stuff, I wouldn't be honest with myself; I'd be doing it to please other people. That would be selling out.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
If I'm watching my son play soccer, that's what I'm doing. If I'm going to a school concert, that's what I'm doing. I turn the phone off. I actively tune into whatever I'm doing. I walk every evening with one of my sons and for that half an hour, 45 minutes, that's what I'm doing.
I have been doing so much. Speaking engagements... producing... developing a half-hour sitcom... working on a movie... leading acting workshops all over the world... and hosting 'My Black Is Beautiful,' an empowerment TV show I'm doing on BET for women.
It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
Black people didn't start coming to see me until 1982. I'd just started doing Delbert, and suddenly my world changed. I started doing black-centred characters that were about people I knew in the community.
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