Whenever you can manoeuvre your characters into a situation where they both have a good argument to make, you're on the right track.
The notion that somehow or another they'll (Iran) put it in a picnic basket and hand it to some terrorist group is merely an argument that may be convincing to some people who don't know anything about nuclear weapons. I don't find that argument very credible, I'm not sure that people who make it even believe in it. But it's a good argument to make if you have no other argument to make. The fact of the matter is, Iran has been around for 3000 years, and that is not a symptom of a suicidal instinct.
I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
Indeed it can be argued that to make a powerful film you must care about the subject, therefore powerful films tend to be both political and partisan in nature.
As far as career goes, make sure you're in it for the right reasons - and make sure that the work itself is the most important thing.
The thing I always say to any writer that I'm working with is: Just make sure that in any argument, EVERYONE is right. I want every single person arguing a righteous side of the argument. That makes interesting drama.
Don't do what we did. Make sure it's right and make sure it's what you wanna do. Make sure it's actually a good deal, that you're not going to lose out too much on it.
The winner's margin of victory also matters. If it's a squeaker, that will make the lessons learned for both parties much murkier.
You've learned the lessons well. You first learned to live on less than you earn. Next you learned to seek advice from those who are competent. Lastly, you've learned to make gold work for you.
I felt that if I shared the lessons that I learned - both the good ones and the bad ones - that I might make the climb a little less painful for other women.
I think one of the most important lessons that I've learned is to put your head down and work. Don't look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you're constantly working on it.
I am big on - even with our whole team - it's always about, well, what were the lessons learned? Something didn't work out? What are the lessons learned? What are the lessons learned?
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
When you label them, when one of the most powerful social media companies in the world labels people as Nazis, you could make the argument that's inciting violence.
You have very accurately described the difficulty of presenting my books on film: many of my characters are alone most of the time, and when they do talk, what they say is mostly lies. That can make for a pretty confusing film.
With the right movie, 3D can enhance the experience. Absolutely, it can make a good film a great film. It can make a great film a really amazing film to see .