A Quote by K. A. Applegate

I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things. — © K. A. Applegate
I tend to write short, brief snippets - I lean toward the chamber music end as opposed to the symphony end of things.
Many women tend toward the interdependent end of things, we tend to see ourselves in relationship to others to a far greater degree than men.
The good is the end toward which all things tend.
The mind can go either direction under stress—toward positive or toward negative: on or off. Think of it as a spectrum whose extremes are unconsciousness at the negative end and hyperconsciousness at the positive end. The way the mind will lean under stress is strongly influenced by training.
And over the last ten years, after my work with the Brodsky Quartet, I had the opportunity to write arrangements for chamber group, chamber orchestra, jazz orchestra, symphony orchestra even.
Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
It is nice when things end. That is what stories do - they end. It is hard to write endings and it is hard to come to the end of things, but I think when it is done right, it is a very satisfying way to appreciate something.
What I need more in my culture and in my life right now is hope, and so I tend to write to that. I'll always end up bending more toward optimism.
I tend to lean toward strong female stories. I want to make things that don't already exist out there.
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
The end of 'The End' is the best place to begin 'The End', because if you read 'The End' from the beginning of the beginning of 'The End' to the end of the end of 'The End', you will arrive at the end.
I like to think I'm positive and optimistic about things generally, but what I write does tend towards the darker end of the spectrum.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
A Beethoven symphony should be rehearsed like chamber music, only for a lot more people.
Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
I'm writing out of desperation. I felt compelled to write to make sense of it to myself - so I don't end up saying peculiar things like 'I'm black and I'm proud.' I write so I don't end up as a set of slogans and clichés.
Every reader should ask himself periodically “Toward what end, toward what end?”—but do not ask it too often lest you pass up the fun of programming for the constipation of bittersweet philosophy.
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