A Quote by K Callan
Most people like to think they are discovering a new talent. If you ask, then it makes them feel as though they are being used. Allow them to discover you.
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Whenever I mentor people and help them discover their purpose, I always encourage them to start the process by discovering their strengths, not exploring their shortcomings. Why? Because people's purpose in life is always connected to their giftedness. It always works that way. You are not called to do something that you have no talent for. You will discover your purpose by finding and remaining in your strength zone.
I don't think talent has anything to do with inspiration. Inspiration creates talent. People prioritize innate talent too much. It gives them license to walk around and act like assholes. I think I straddle a line between being innately talented and having had to put in some work. You ever go to a party where there are a lot of creative people and they feel like they have license to just act any kind of way? I'm not really a moral person myself, but they just tend to never ever be sincere because they believe their art or the fact that they are artists makes them holy in some way.
There is a sort of backlash of people who feel like you're not representing them accurately, and you want to say as elegantly as you can, "I wasn't trying to represent you I, was just doing what I could do to make being alive easier for me." And if it helped anyone or made them feel comforted in the process then it's the greatest thing you can ask for.
I understand that actors lose their looks, they change over time, but people don't lose their talent. I think that, as people get older and the people who make the decisions get older, they don't like hiring people much older than them because it reminds them of their fathers, and they don't like telling people older than them what to do. It makes them uncomfortable. I think that happens a lot.
Reading was a way to make friends or enemies, a way to discover how all these different people exist in the world and to rub shoulders with them. The ability to feel as if you have met someone, as if that person exists in flesh and blood and that you relate to them somehow, makes you feel a lot less lonely. And it also makes you feel very brave.
Can't quite believe it after being so used to being musically invisible for so long. It makes me feel very warm to know that people who are the same age as I was when I wrote those songs understand them for what they were and find something in them.
Pleasant things to hear, though hearing them from him embarrasses me. I soak up the praise but feel obliged to disparage the gift. I believe that most people have some degree of talent for something--forms, colors, words, sounds. Talent lies around in us like kindling waiting for a match, but some people, just as gifted as others, are less lucky. Fate never drops a match on them. The times are wrong, or their health is poor, or their energy low, or their obligations too many. Something.
I like to push people till I get the truth out of them. Get them drunk, or whatever. Then discover what they really think. Push them and push them and push them.
The trouble with today is, things are a little easy. Teens don't feel as if anyone needs them or their talent, and that's wrong. We need them. They are the future. And if I can encourage them to think about the sciences as something they could do, then I think I've done a good job.
Most exotic animals are not particularly interested in people, which makes it hard to provoke them. Human-rearing gets them used to and sometimes imprinted on humans, which makes them potentially dangerous.
What I feel the most confident about as a teacher, whatever my strengths and weaknesses are. The fact that I got to be around those people, I feel like that I have something to offer because of that blessing. Being around them a little bit... I'm not them. I'm certainly not trying to compare myself to them. But in lieu of them being able to impart something, the fact that I had so many people like that that were kind to me and talked to me was invaluable.
I love to hang out and talk to people on set, especially when I start a new job to get to know them. I like to learn things from the crew so I sit around and ask them technical questions, when I think of them.
A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.
I am very interest in the human condition. That is what I love about acting. I like studying different people and their psychosis. I like discovering what makes them tick. I always find that with any character I play. I need to find out what makes them tick.
I used to get upset with the word Bollywood, and what it means in the West. The stereotype of us being dancing, singing, puppet showgirls. Indians are nearly one fifth of the world's population; we have one of the most prolific film industries in the world. When people used to ask me about it, or replicate what they think is Bollywood dancing, thinking that they're being funny, I used to get offended. But now I show them the stuff we do.
I would just like to be able to give to people through acting. If I can entertain people by being somebody else and allow somebody to feel something, then that makes me feel good.
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