A Quote by Kalan Sherrard
I'm extremely critical. I don't consider myself a performance artist. I balk at the term performance art.
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I consider myself an artist, but instead of paint or clay, my medium is drag. I put so much of myself into my drag from every detail of the costume, makeup and hair to my performance, the way I speak or even stand.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.
Frequent comparative ranking can only reinforce a short-term investment perspective. It is understandably difficult to maintain a long-term view when, faced with the penalties for poor short-term performance, the long-term view may well be from the unemployment line ... Relative-performance-oriented investors really act as speculators. Rather than making sensible judgments about the attractiveness of specific stocks and bonds, they try to guess what others are going to do and then do it first.
I consider myself a showman, and I love magic, and I love art, and I love performance, and they're all separate.
Performance art is going to be the future. Plays on Broadway are so restricted. But performance art is like haikus, just one line thing. And it's more casual but more interesting.
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
All good performance pieces have some philosophical validity. That's the difference between mere theater and performance art.
The performance on the stage has its reasons in the performance induced in thousands of separate minds and this second performance is no less prodigious than the first.
I just constantly judge myself based off my performance. When performance isn't good, I let it bring everything down.
I try to keep myself on an even keel by trying to be as critical of myself as I am of other people. I try to separate my performance from myself.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
I am notoriously hard on myself in terms of working on new material and while I am critical of my performance on the Led Zeppelin material, I am way more critical of my own stuff. I'm pretty hard on myself.
