A Quote by Kamasi Washington

I think people psych themselves out before they listen to jazz a lot, thinking that they have to, like, put on a suit or something. That's not what it is. — © Kamasi Washington
I think people psych themselves out before they listen to jazz a lot, thinking that they have to, like, put on a suit or something. That's not what it is.
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
I don't listen to a lot of music when I have my free time. But I'll go to a jazz club and have a drink and listen to a good jazz musician. Or sometimes in the morning, if I want to put myself in a good mood, I'll put on some Latin music.
I listen a lot. I think people have their own answers, and if you just listen to someone and agree with them, eventually they'll work it out for themselves.
I think people should express themselves more and not just buy what's in. While it can be very beautiful, and it may suit you perfectly, I'm sure it doesn't suit everyone in the same way. I like people who express themselves and are more individualistic.
A lot of people in the jazz community are looking at how much notoriety we're getting. And we're an inspiration to a lot of young people, because now there's something new they can aim for that's in their grasp. Because a lot of times when you attend a jazz college it's all about the history, none of the teachers there are forward-thinking, for the most part, so they don't teach you how to be yourself and embrace the music around you.
Kind of the sad thing is that - it's still true - a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
People need to realize that even the greatest jazz musicians, when they listen to jazz, they're not like, analyzing it and deconstructing it - they're enjoying it. It's like listening to any other style of music. It's saying something to you, and you kind of just absorb it.
For me jazz is kind of an extension of hip-hop. Kind of the sad thing is that a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
I like Young Thug. A lot of people might think I don't like Thug. I listen to Thug more than I listen to a lot of them. You got to listen to the music and absorb it. Some people might see him on the centerfold or something and just automatically judge him. You got to listen.
I like to relax a lot the night before a race. I like having people around me. I don't like being on my own, particularly. Music helps psych you up, too.
From it's inception Beat poetry was hailed as "something NEW" and "like all good spontaneous jazz, newness is acceptable and expected - by hip people who listen." But the newness of jazz has in it the echoes of J. S. Bach.
A lot of people put out albums with sort of crappy songs and a couple of singles because they know no one's going to listen to it anyway. We very much wanted it to be something that you do listen to from beginning to end and had a narrative that was important.
Jazz sometimes can be really complicated and inaccessible to people because they don't know what to start with. You can start with something that you love, but if you start with something that you hate, then it's like, 'You know what, I hate jazz.' It took me a lot of time to catch on to jazz, too.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
I did listen to 1920s jazz or Al Johnson and a lot of early singers coming out of England. I would branch out a little bit to get a sense of the world that he might be coming into, in the '30s when jazz was changing.
A lot of jazz artists think people should like what they're doing just because it's jazz. I don't buy that.
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