A Quote by Kane Brown

I feel like I am the outsider on the inside, if that makes sense. But I have coped with it. — © Kane Brown
I feel like I am the outsider on the inside, if that makes sense. But I have coped with it.
I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
It makes me feel like a woman. It makes me feel that all the things about my body are suddenly there for a reason. It makes you feel round and supple, and to have a little life inside you is amazing.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
When I felt like an outsider, movies made me feel inside my own skill set.
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
I know too much; I've seen people at their worst, at their most desperate and selfish, and this knowledge makes me wary. So I am learning to pretend, to smile, to nod, to display empathy I do not feel. I am learning to pass, to look like everyone else, even though I feel broken inside.
For immigrant families, television is what connects you to American culture, but it's also what makes you feel like an outsider.
I loved musicals because I felt like breaking out in song makes so much sense to me because it's the stakes of how you feel inside!
When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.
If you're adopted, you can't help but feel, somehow or other, deep, deep, deep down inside that you don't belong. It makes you feel like you've got a question mark inside you.
Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
America as a setting seems inexhaustibly fascinating to me, and I think there's something about the outsider viewpoint that works for me. Being of Jewish descent in England always carried a vague sense of being foreign, while not being a practicing Jew made it hard to think of myself as fully Jewish either. So living here in a way just clarifies that terminal outsider position - makes it somehow official, which I like.
I feel like I've always been a weirdo. I always grew up with the sense of being a total outsider. I grew up so alienated from other people, and it never went away. When I'm around "normal" people I behave around them as if they are crazy, which makes me seem crazy.
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