A Quote by Karan Johar
I love that first-time feeling that I can't build in myself anymore, where I can learn and emulate other filmmakers. Be it Ayan Mukherjee, Punit Mahotra, Karan Malhotra, Tarun Mansukhani or Shakun Batra, all of them have taught me something or the other.
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My instinct about a human being is paramount. For me, when a director has walked into my room or an assistant that I have hired, who has later gone on to become a director, is purely based on human instinct, be it Ayan Mukerji, Karan Malhotra, Punit Malhotra or Tarun Mansukhani. I am very susceptible to human energy and energy of spaces.
I began to see myself as someone who can help others understand diversity rather than feeling like a social outcast. Ellen taught me to not care about other people's opinions. She taught me to be truthful. She taught me to be free. I began to live my life in love and complete acceptance. For the first time I had truly accepted myself.
'Wake Up Sid' was a very special script. It was director Ayan Mukherjee's first film and it was beautifully written.
In both 'Dondo,' which has been directed by Tarun Mukherjee, and 'Krishna' directed by VV Vinayak, I got to play interesting characters. Moreover, I have enjoyed working for these films, because it was a challenge to learn two languages and express my emotions in them.
I was fortunate enough to work with legends like Hrishikesh Mukherjee, Basu Chatterjee, Vijay Anand and Yash Chopra, and contemporary filmmakers like Farhan Akhtar and Karan Johar.
My director Shakun Batra, I believe, is one of the finest in the industry and he has been the dream director I've always wanted to work with.
Karan Malhotra is an amazing director, but he's strict.
I need to learn how to stop destroying myself, stop being hard on myself and be nice to myself. I need to keep telling myself that I need to keep wanting something, something nice, something warm[so] I can make other people happy. I can understand other people's pain because I can love even after all that is left of me is gone because I have that strength.
Don't get me wrong - I love going to academy every day and training as hard as I can; I love to learn. But I have other plans. When you are in the UFC, you gotta save 80 percent of your time for that. I want to do other nice stuff, other things that give me pleasure also.
My goal onstage is to always have people leave feeling that they received something very special, an inspired feeling that they can take with them and into their lives. That's what the artists I love have always done for me and that's what I have always admired and tried to emulate in my own performances. I still believe that music stands alone in its power to communicate "spirit", whatever that might mean to any given fan. It's a mystery and it's something I still find so exciting and challenging at the same time.
To sing with other people and for other people, that's when you can really learn something about your voice. You can only learn so much if you create your own boundaries all the time. But then, other people can really teach you something. You know, if you're trying to sing with them, or if someone brings a style.
The filmmakers are very much in their own kind of bubble. It was kind of a revelation to me and I realized why so many of the great filmmakers are one of a kind people. You know, they have a vision. They may be influenced by other filmmakers, but they don't work with them on anything.
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
I consider myself something of a self-taught anthropologist. I try not to talk about something unless it's something I love. But if it's something that really annoys me, I fixate on it, learn something about it and then, when I'm onstage, it comes out.
Is it needy? It's not. We don't need each other. We just really, really enjoy each other. And we're good together. We're good people together. And I have the funniest feeling. I can really, truly touch this all, this happiness and the sadness too, I can trace all of it with my fingers. It isn't theoretical or distant. This feels like me. This is me. I love him, and, for the first time in a relationship, I also like me. Every time he says "I love you," I answer, "I believe you.
I could send myself right back to the day that I wrote "Angel Of The Morning," how it felt. I had a buzz through me that morning that was so powerful. I knew I had done something that meant something, because of that feeling. It wasn't a question of whether other people liked it ... I loved it. To me, it had to be one of the most important love stories of all time.
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