A Quote by Karel Reisz

A big element of what they regard as conformity is simply a desire to have an audience. — © Karel Reisz
A big element of what they regard as conformity is simply a desire to have an audience.
Conformity is painful. You know, it's too tight. Conformity leads to rebellion. So a desire for happiness is in direct conflict with a desire for freedom.
The truth of practical intellect is understood not as conformity to an extramental being but as conformity to a right desire; the end is no longer to know what is, but to bring into existence that which is not yet.
It's interesting to have a conglomeration of people that covers the strata from A to Z... There's a certain element of the audience that's intellectually oriented, into the lyrics... then there's another element of the audience that's into a sex trip. I'm into both of them.
For this reason, strangers are not really conceived as individuals, but as strangers of a particular type: the element of distance is no less general in regard to them than the element of nearness.
I am neither for conformity nor non-conformity. I am for individuality. If one's individuality is in effect non-conformity, then so be it. But basically, one's individuality consists of conformity--to one's self.
In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.
Desire is creation, is the magical element in that process. If there were an instrument by which to measure desire, one could foretell achievement.
the most deeply moving element in the contemplation of beauty is the element of loss. We desire to hold; but the sunset melts into the night, and the secret of the painting on the wall can never be the secret of the buyer.
To be joining 'The Hunger Games' family is such a thrill. It deserves the hype because it's well written, handles really big subject matter, but doesn't talk down to its audience. And then there's the romance element.
To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
In 'Reclaiming Virtue,' I argue that we have had an element missing in moral education. That element is 'affect.' Affect is simply the technical word for feeling or emotion.
You have to know the rules, otherwise you have no tools to communicate to the audience, but to keep it fresh you have to break some. I don't choose genres as the element, but the material itself is the element, then I'll decide what genre I need. That's just how I work.
As a host on TV, one has to engage the audience and contestants on the show. One has to bring a new element to their personality while hosting so that it doesn't look monotonous to the audience.
I was jumping out of my skin. It was horrible. I was all over the place, because I'd never been in front of a live audience. That's a whole other element in the play, the audience.
I believe that DVD is that which gives some hope to retaining some content in movies that will appeal to an older audience or the more sophisticated audience or the audience that doesn't need or desire to see a movie on a Friday night.
When I'm considering an idea, and there is an element of hubris involved, I generally feel comfortable that it's going to be a good story. Pride goeth before a fall. It's an element of a lot of big stories.
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