A Quote by Karen Finerman

I enjoy being on CNBC's 'Fast Money,' in part so that audiences can watch a woman who is as well informed about, and invested in, the market as her male counterparts.
Forget the credit, they (male actors) take all the money as well. We don't get paid even one-third of what male actors get. It's not so much about the money, but it's about (being a) woman.
We still live in a world in which a significant fraction of people, including women, believe that a woman belongs and wants to belong exclusively in the home; that a woman should not aspire to achieve more than her male counterparts and, particularly, not more than her husband.
It's not very exciting to go to work to just have your character's identity being defined by her relationship with her male counterparts.
Whether we are talking about access to affordable birth control, feeling safe from violence in our homes, or being able to earn the same amount of money as our male counterparts, these are rights that all people deserve, and they are being threatened.
To give money to a woman - and here I must speak as a man - is to deny her special quality, her irreplaceability, and reduce her unique amiability to a commodity. Money takes away her name, while transforming her lover into a nameless customer of a market of appetites.
I was at CNBC for 20 years. I felt really great about covering the stock market, being on the floor, watching the daily knee-jerk reactions to the stock market..but the last three years, being at Fox, I've grown. I've learned more.
During the years I was on the board of directors of the National Organization for Women in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives - they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband's (her) income.
As soon as she gets her divorce one of us is going to marry her. We don't know which. She is about as beautiful a woman as I ever saw, and very witty and well-informed, but it would cost a good deal to keep her in diamonds.
If a woman isn't feeling sexual with herself, she won't respond to advances from any partner, male or female. When this woman goes dancing, she's finding a connection with her own erotic self. It might be about being on a dance floor, feeling free, not having to feel at all responsible for anybody else's well-being. For other people, it might be about going on a hike for four days by herself and reconnecting with nature and strength and endurance and beauty.
Film schools are now nearly 50-50 male-female, and women are also well represented at festivals and in indie film. But what happens to them after they direct their first film or short? Where do they go? They certainly aren't being given the same opportunities as their male counterparts.
What's very important for me is that I want family audiences - all kinds of audiences - to watch my films, and the more people who watch the movies, the better. So I want to be part of popular cinema.
I've always enjoyed the respect from my male colleagues or my audiences all over the world. I've never suffered by the fact of being a woman on the road.
Under Sharia law, If a woman has money, she can invest her money. The thing is, what we are concerned about is, in the public arena, there's a difference between a man and a woman. We would have complete segregation in the public arena, but other than that, if she wants to go to the market, if she wants to go to visit her relatives or for medicine or for education. There's a whole host of reasons why she would be out and about but, what we are saying is she not obliged to work. That is the job of the man.
I think I am still underpaid. I want to make as much money as my male counterparts.
It seems kosher and OK to treat women as objects because the business of cinema is about images and when you have fragmented images of a woman's bosom and her swiveling hip and her twisting navel, it robs the woman of all autonomy and subjects her to the male gaze.
I appreciate some people enjoy reality TV and enjoy being a part of it - and I do watch it - but it isn't for me.
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