A Quote by Karthik Subbaraj
I basically like the unpredictability factor. When I watch a film, if it becomes predictable, I lose interest in it.
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Sometimes, things need to be so understated on film that I don't even see them as funny, which isn't my favorite style, comedically. When I watch film comedy, I like people that are a little bit more alive on the screen and wound up. I like volatility and unpredictability and other long words like those.
I never lost my interest in acting but I did lose my interest in the business and what I had to go through to make a film. I felt saturated, you know, like a sponge when it's saturated - it's not good.
In any art, unpredictability is the delightful factor.
The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people.
The way we work at Pixar is we write the script, but then we quickly move on into story reel, which is basically like a comic-book version of the film. And then we do our own dialogue and music and sound effects, all in an effort to be able to basically sit in the theater and watch the movie before we shoot it, essentially.
When you ride electric bikes, you know the terrain that you're riding on becomes a factor and headwinds become a factor. Then there is tailwinds, which is behind you... it makes such a difference going downhill and stuff like that.
I've only really had one period when I lost myself and felt like I was going to lose my career, and that was when I first began presenting 'X-Factor' spin-off 'The Xtra Factor' two years ago. I was worried if I did a rubbish job live on Saturday night TV that my music career was going to get affected and I would lose everything.
I would use the debt limit. I don't want to say - I want to be unpredictable, because, you know, we need unpredictability. Everything is so predictable with our country.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
Manu Ginobili - I like to watch him. I would pay to watch him play the game. He will try things that will drive a coach crazy, like a full-court bounce pass, but he has such a flair for the game. I love his energy and his spirit and his unpredictability.
Ever since David Cameron took it on himself to prise open Pandora's box and call the E.U. referendum, the only thing that's been predictable has been the utter unpredictability of what has followed.
There is no self-interest completely unrelated to others' interests. Due to the fundamental interconnectedness which lies at the heart of reality, your interest is also my interest. From this it becomes clear that "my" interest and "your" interest are intimately connected. In a deep sense, they converge.
I basically just make films that interest me. And I don't want to make the same film twice, you know? But I've never found a franchise, so... I guess I'm lot poorer because of that, but... what astonishes me is that, at my age, I can still find things that interest me. And that's tremendous.
If, however, one factor is too successful, it will continue to be the winning factor regardless of the variation in the other factors over the range of variation in the conditions, and therefore will stifle the development of other advantageous factors until the conditions change sufficiently that it no longer is the winning factor. At this point, the whole population is ill prepared for the change, and may well perish entirely if the winning factor accidentally becomes the matching factor for a disease or a predator.
Film team kept me very, very shielded when I was that young, because of course, I was seven years old. You know, you're still kind of reading. It's still kind of like, "Cat." "Dog." "Ann jumped over fence." So I guess in a way it helped me progress in school, too, because I was reading so much and memorizing so much. But they kept me very shielded from everything that was going on in the The Amityville Horror. I didn't know anything, basically, about the film. I just knew that it was a scary film. I wasn't allowed to watch it. I can watch it now, I'm just too scared.
I don't think you can be involved in film and not be a fan of theirs. The one that I just go back to and can watch anytime it's on TV and I'll watch to the end, is Fargo. I think it's, like, a perfect film, it's genius.
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