A Quote by Karthik Subbaraj
Luckily, 'Petta' encompasses all the dimensions of Rajini sir's performances. His main strengths are his charm, style, and the fun that he represents.
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Rajini sir's character in 'Petta' is inspired from the same name from Tamil film 'Mullum Malarum.'
Rajini sir gave me an opportunity to work with him because he liked my work, especially my style of narration and dialogues. Now, I can't go out and make something very different just to please him. He wanted me to make 'Petta' the way I want it and with my sensibilities intact.
Importantly, Rajini sir doesn't take his fans and audiences for granted.
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
James Taylor is the kind of person I always thought the word 'folksinger' referred to. He writes and sings songs that are reflections of his own life, and performs in them in his own style. All of his performances are marked by an eloquent simplicity.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
Lleyton Hewitt... his two greatest strengths are his legs, his speed, his agility and his competitiveness.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
I am where God wills me to be, and so I have found rest and security. His wisdom governs me, His power defends me, His grace sanctifies me, His mercy encompasses me, His joy sustains me and all will go well with me.
Kelvin Gastelum, there's many ways I can classify his style. I like it. He's improved. One thing I can say is that he's improved over his run in the UFC from 'The Ultimate Fighter' and now being a contender. But his style? It's very Mexican. You have the Mexican style of boxing, and he has a Mexican style of MMA, like smart Mexican style.
Kortchnoi's heritage is many-faceted - over the decades he has several times corrected and changed his style. But the main thing has invariably remained his search for chess truth.
It's really strange, but I find a connect with Shivaji Raje through Rajinikanth. Rajini sir is born a Marathi, he's a superstar in Tamil film industry and a national icon too. He started his life as an ordinary man and reached the pinnacle. This is how Shivaji Raje's life also traversed from common to extraordinary.
I've followed Mysskin sir's work, and I really like his style of filmmaking.
On Sir Joshua Reynolds's observing that the real character of a man was found out by his amusements. Yes, Sir, no man is a hypocrite in his pleasures.
Norbert Blei is a writer the way people used to be troubadours and minstrels, celebrating what he has seen and heart and felt in a deceptively simple style reminiscent of the early Sherwood Anderson. . . . Like Anderson, he is a lover, and his affection invests his writing with a singular charm.
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