A Quote by Karthik Subbaraj

I would say 'Jigarthanda' had a lot of Tarantino in it, but it ends there. 'Iraivi' is inspired more from directors like Balu Mahendra, Mahendran, and K. Balachander. — © Karthik Subbaraj
I would say 'Jigarthanda' had a lot of Tarantino in it, but it ends there. 'Iraivi' is inspired more from directors like Balu Mahendra, Mahendran, and K. Balachander.
My mentor is Balu Mahendra.
I acted in 'Oomakkuyil' under Balu Mahendra's baton.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
I met Rajini sir after 'Jigarthanda,' and he said he liked my film. He told me I could approach him whenever I had a good idea. I had never thought he would listen to scripts from new directors. After the meeting, I wondered, 'Should I take his words seriously or not? Should I write something?'
Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.
MAD FREE is a conversation project, not an organization, but I've literally have seen women have breakthroughs in real time. They learn and connect. I've had more women I could count say one of our conversations inspired them to be bold and wonderful things like getting PHD's or traveling to the continent. I am certainly far more inspired by the community of women than they are inspired.
I've talked to a lot of directors who direct solo like most directors. And they're always like, 'Oh, man I wish I had somebody I could direct with because it's a lot of work.'
I like strong women. Strong women characters have always existed in the movies of directors such as K. Balachander and Mani Ratnam.
When I was shooting with Tarantino and Mike Mills and amazing directors, it made me think that I would never be a director. It's obviously too hard.
There are lots of good directors I would like to work with; I want to be inspired and challenged by them.
Now Tarantino is making DJANGO UNCHAINED. Everybody is telling me I am in the movie but I've not been asked by Tarantino officially. Not yet. There were many, many other Django films following mine, with other actors and directors, but there is only one Django.
I feel like German football is a lot more aggressive and faster. I've never played in the Premier League, so I couldn't say what it was like. But going from youth football, I would say it's a lot faster and lot more physical.
We considered a few Bollywood actors as well for the villain role in 'Jigarthanda,' but we finally zeroed in on Simha because we felt he would be the most unexpected person to play it. Had we cast someone popular, then it would have become predictable.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.
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