A Quote by Karthik Subbaraj
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
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I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
Importantly, Rajini sir doesn't take his fans and audiences for granted.
Luckily, 'Petta' encompasses all the dimensions of Rajini sir's performances. His main strengths are his charm, style, and the fun that he represents.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
If there's one movie of Rajini sir that I've seen multiple times, it has to be 'Annamalai.' The song, 'Vetri Nichayam,' from the film, has been a big inspiration for me.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
It's really strange, but I find a connect with Shivaji Raje through Rajinikanth. Rajini sir is born a Marathi, he's a superstar in Tamil film industry and a national icon too. He started his life as an ordinary man and reached the pinnacle. This is how Shivaji Raje's life also traversed from common to extraordinary.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.
There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.
I'm British; I live here, and I've always made my films here. And we're on a journey in British filmmaking right now. We're attracting big films again. 'Star Wars' filming here will employ thousands of people. We're world-class in so many of the craft elements, and the vibrancy of our filmmaking is strong.
Nobody would dare to show Rajini sir in bad light through a film.
Rajini sir's character in 'Petta' is inspired from the same name from Tamil film 'Mullum Malarum.'
Mike Mignola's 'Hellboy' was influenced by Lovecraft big time. He wanted to make his monsters Lovecraftian. But I think many other films have been influenced by Lovecraft - like 'Alien,' which is almost an outer-space version of 'At The Mountains Of Madness.'
I used to often see Rajini sir at shooting spots when I worked as a car cleaner for Super Subbarayan master.
George Jones has been a major part of my personal and professional life for a long time. I have been inspired by his music for the last 50 years and for 42 of those, I had the pleasure of knowing him personally and professionally. He was IT to me. George was and will always be my guy. I am luckier than a lot of people on this Earth because God let me be a part of George's life and him a part of mine. And on this day, his song couldn't be more true: 'He Stopped Loving Her Today.'
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