A Quote by Karthik Subbaraj
Rajini sir gave me an opportunity to work with him because he liked my work, especially my style of narration and dialogues. Now, I can't go out and make something very different just to please him. He wanted me to make 'Petta' the way I want it and with my sensibilities intact.
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So, it's not gonna be easy. It's gonna be really hard. We're gonna have to work at this every day, but I want to do that because I want you. I want all of you, forever, you and me, every day. Will you do something for me, please? Just picture your life for me? Thirty years from now, forty years from now? What's it look like? If it's with him- go. Go! I lost you once, I think I can do it again, if I thought that's what you really wanted. But don't you take the easy way out.
When I turned 12 or 13 years old, even as a dad, you can't make a kid play anymore, but up until that point, he pushed me to keep playing, and when I turned 13, I didn't want to do anything else. He was just there with me at the cage every day because I wanted him to go with me and throw to me and work on what I needed to work on.
I grew up idolising Rajinikanth, and I've always wanted to see him in a certain way. When I knew I was going to write for Rajini sir, I wanted to show him in the most stylish way and bring back his mannerisms and machismo.
For Mr. Elway to take me in the second round and show that trust that he has in me and the upside he thinks I have, I want to go out and there and prove him right. I want to be able to have him look back 10 years from now, 15 years from now, and have him be very proud about that selection and let him know that he did make the right selection.
Inzaghi was one that I really liked to watch because he was completely different to how I played, but he gave me something I didn't have and actually helped me out a lot. Probably a lot of the goals I score now have come from him.
Luckily, 'Petta' encompasses all the dimensions of Rajini sir's performances. His main strengths are his charm, style, and the fun that he represents.
Part of why I wanted to produce was because I wanted the opportunity to work on projects I want to see. As a writer and as a director, I'm very specific about the kinds of things that I want to do. The opportunity that producing has given me is that by working with different writers and trying to get their movies made, or developing their script, or making their movies, every time I'm doing it, I'm learning and then bringing something to my own work. I like to think that there's a little bit of back and forth that goes on.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
The out-of-work actor wears out more than shoe leather. The very sensibilities that make him an artist are shattered by the disregard he is shown as a human being.
The guitar's still around me. I slip it off and put it down. I want to feel him. To feel his breath on my neck. The warmth of his skin. To feel something other than sadness. Hold me, I tell him silently. Hold me here. To this place. This life. Make me want you. Want this. Want something. Please
To be honest, my time at Dortmund wasn't a big success. I didn't settle well at the club and eventually moved on to Sevilla. But I am forever grateful about it because it gave me the opportunity to work with Jurgen Klopp. If I didn't go to Germany, I would never have had a chance to work with him.
Rajini sir's character in 'Petta' is inspired from the same name from Tamil film 'Mullum Malarum.'
I just feel very grateful to be a part of that, to be a part of a winning team... I'm trying hard not to be used to it, but I am kind of. It is something where I've run out of people that I want to work with because I've worked with everybody I ever wanted to. I really have. I can't think of anyone I'd want to work with right now because I'd just want to work with the same people again.
I was inspired by World Vision. It's almost like I sponsored (Donald) Faison and gave him an opportunity to do something with his life. What more would he want than to work with me?
I said 'no' nine times when Kanye asked me to work with him because I liked being friends with him. Then he put me in a position where I couldn't say no: He just told everyone I was his manager.
I was down in Tampa and it just wasn't a good setup for me, all things considered. But it also gave me the opportunity to get out of there and kind of start over. The Giants, fortunately for me, gave me the opportunity, another shot. I'm just trying to make the most of it.
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