A Quote by Karthik Subbaraj

I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero-budget family drama called 'Move Me.' — © Karthik Subbaraj
I worked with an indie filmmaker called Mark Williams, a lawyer who was making a zero-budget family drama called 'Move Me.'
I did a film [about a con-artist mom and son] called Bringing Up Bobby that Famke Janssen wrote and directed. No one's gonna hire me for their [big-budget] romantic comedy, so it's up to me to look out for great indie comedies and show people a different side of myself - even if it's for three people outside of my family.
I ran into my old friend Michael Kenneth Williams, who I worked with on a show called 'The Philanthropist' for NBC. He was going to be doing this show called 'Hap and Leonard.' He was playing Leonard, and they were looking for somebody to play Hap.
Popular culture is a place where pity is called compassion, flattery is called love, propaganda is called knowledge, tension is called peace, gossip is called news, and auto-tune is called singing.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I had a little indie label called No Core and Dave Grohl's first band was called, Dain Bramage so I out an album for them and for whatever reason, he's never forgot it and has always been super nice to me since.
I come from a theatre group called Drama Tech in Delhi. When its founder Mr. Chopra called me and appreciated my work, that was also satisfying because he gave me my first play.
Sometimes I have little movies that I've made that I wish would be seen by a larger audience. I have a horror movie called 'Sensored' which I'm very creepy and disgusting in, and then I have a family drama called 'The Legends of Nethiah' which has a science-fiction B-story.
I scored a movie called 'Endangered Species'. I worked on another movie called 'Staying Alive'. A German film called 'Fire and Ice'.
We have common enemies today. It's called childhood poverty. It's called cancer. It's called AIDS. It's called Parkinson's. It's called Muscular Dystrophy.
I remember once they sent me over to read for a show called 'Mork and Mindy.' I heard gales of laughter, then Robin Williams walked out. I had to follow Robin Williams.
When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'
My mother worked for a white family that lived in one of the mansions on the beach. The husband in the family was a lawyer; he worked for a firm in New Orleans.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
I suppose the more established one gets, you have what's called a reputation, and so you want to protect that and preserve that. And I think the bravery really comes in one's mid career where you then are constantly trying to move beyond that and move past that, because those so-called successors can become shackles.
Everyone asks me why someone Turkish is making Greek yogurt. In Greece, it is not called 'Greek yogurt.' Everywhere in the world it is called 'strained yogurt.' But because it was introduced in this country by a Greek company, they called it 'Greek yogurt.'
I was working as a staff writer at Rolling Stone. I had a friend who worked at MTV, and she called me and said, "They're looking for VJs for this new channel. Do you want to try out?" I had zero TV experience, but I thought, "Well, what the hay."
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