A Quote by Karyn Kusama
To me, sound is a crucial component to, really, any moviegoing experience, but particularly with suspense films or thrillers. I think you need the audience to become subtly really attuned to the soundscape in, like, this uncomfortable way.
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I really like suspense in movies. I don't really like rom-coms. But that being said, as an audience member I really like horror films and actress I really like working with fake blood; I think it's so fun.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I think it's really important, when you're redefining a character [ Spider-Man], for the audience to experience things that they haven't experienced, from the ground up. I wanted to build a character. I feel like point of view is a really crucial thing in the story, and that you need to build up the emotional building blocks, so that you can experience all the other emotions in a very specific way, rather than just experiencing it in an intellectual way.
I think, for me, a way to really come up with new ideas and come up with new ways of writing music is to create a unique sound palette or soundscape for all the films I'm working on.
I prefer thrillers but when it's thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
One thing I would like to do, as the director, I would really like to shoot the movie widescreen, 2.35:1, which we haven't done in any of the movies yet and I think that would really provide another opportunity for scares and suspense, particularly because since Chucky, our villain, is only two feet tall, it makes sense to define the space horizontally rather than vertically. I think that will take it to another level.
I read what I like to write: romantic suspense. I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.
I have always thought limousines make me dreadfully uncomfortable, just the way that suits do. When I wear a suit, I feel like ants and termites are crawling all over my body. It's really, really uncomfortable. People put themselves in a kind of prison. It's like the world of the embassies.
You could call it that [urban Western], I guess, you could certainly call it that. A lot of these types of films are, really, if you get down to the core most suspense thrillers in this genre, the Western is sort of the birth of it all.
I only like the live audience. I don't even like to do standup where it's being filmed. Because it affects the way the audience responds to what you say, because it makes them uncomfortable. You have to perform in a light room, and I prefer a dark room. But I love to perform, and I don't really see myself doing any television at all.
I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
I think it was really crucial that the actress was age appropriate. There are films, such as An Education, where that wasn't the case, and I think that really affects how you receive what you're watching.
When I was growing up, I loved the films where you'd start them and the score might sound really odd at first and really different, and then by the time you finish, you can't imagine it being any other way.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
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