A Quote by Karyn Kusama

I'm strong-willed, but that doesn't mean I can't work with people if we're all in the mission of trying to make a good movie. — © Karyn Kusama
I'm strong-willed, but that doesn't mean I can't work with people if we're all in the mission of trying to make a good movie.
When I started 'Hudson Hawk,' I realized I was dealing with a strong-willed producer, a strong-willed actor, and, at times, a strong-willed studio, and I was the junior partner in all of this - the guy who hadn't proven anything in terms of box-office success.
I'm strong-willed. Architects are strong-willed. You get the best results with a strong client and a strong architect working together.
I feel like I need just to keep trying to make the work for the right reasons. I think part of that is working with really good people, and just trying to make strong truthful work. And not being diverted from that.
A strong-willed child - a strong-willed child, more than anyone else, needs to learn to use emotion and discussion to resolve issues. That's the last child in the whole world you want to hit.
The mission statement of the RSC is to foster a constitutionally bound limited government, it's to have a strong national defense, it's to protect private property rights and it's to support American values. That's what the mission statement is. There's nothing in the mission statement about trying to hold leadership accountable.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
I am strong-willed, and I am driven, and I am passionate... but I don't have... a central cause... a motivating cause, I don't know what that would be... other than trying to tell the truth when I work.
I think having simplicity doesn't always mean that you make a good movie. I have a theory that a movie that's easy to make is hard to watch.
Whenever you work with someone who you idolize, you realize... he's just a person trying to make a movie as best he knows how. And that doesn't look so different from other people trying to do the same thing.
I am so impressed with people who can really make a big movie, a good movie. The amount of work that goes into it is incredible.
No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.
I keep [portraits of Jigoro Kano and a bust] at home, in my residence, where I live permanently. It's a very good, high-quality work by a Russian sculptor, depicting not just a strong-willed but also thoughtful and kind man.
When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
Even when you're acting with a producing hat, when you're in every scene, you're really conscious of trying to make everybody as good as they are, because ultimately you're trying to make the best movie possible.
I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do.
When you lock a movie's release date and then move it two months, it's just not good. It's good for everything but the cast, crew, and people who are creatively trying to make a film.
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