A Quote by Kat Timpf
Too many people don't look at things objectively and try to see the facts; they instead look at them through their partisan lenses and try to figure out how to twist or spin them to fit their own 'side.'
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I spend quite a bit of time thinking about my students. I look at them, at their work, I listen to what they tell me, and try to figure out who they might become in the best of all possible worlds. This is not easy. Students try to give you clues; sometimes they look at you as if imploring you to understand something about them that they don't yet have the means to articulate. How can one succeed at this? And how can one do it 20 times over for all the students in a class? It's impossible, of course. I know this, but I try anyway. It's tiring.
You learn the most by listening and so, to me, always just listening, always just paying attention and finding out what it is that people see in somebody like them. You find those things, and you try to figure out how to fit them into who you are, who you want to be, and how you want to lead.
Always look up! Every time I step out-side, that's the first thing I do. Ask your-self, "what star is that?", grab a star chart and try to figure it out. That is basically how I started. Learn your planets and learn how to distinguish them from the stars. Study star charts even during the day and that night, go and see if you can find them. You may surprise yourself!
Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.
For me, I try to look at a person's swagger and a little background on them if I already haven't liked them as a ballplayer. All you have to do in the way I am going at it is that I don't attack them like a typical commentator or a typical interview where I am trying to figure out what's your statistics or how you felt about last night? Those things. My things are more lifestyle oriented.
If you can figure out where you fit into any particular story, you'll be okay. When you're not quite sure where you fit in, you try to be too many parts of the story. You gild the lily. I see it all the time.
I try not to identify too strongly with any of my characters. I like to stand back and see them objectively. I think this is why I often use boys instead of girls, just in case I get too close and lose the overall picture.
'm starting to get a swimming physique, which I'm very pleased about, because for me that's the most appealing male physique. It's not show-y off-y Mr Muscle, "Look how much I can bench." It's just a real lean, athletic figure and it doesn't look like you try too hard. When you see people who have huge biceps, it looks like they're in the gym all day. But I think there's a difference between looking muscly and being fit.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
I'm distraught as I look at my boys - two are African American and one is Caucasian - because too many people see them differently. None of them should have to think about how law enforcement will treat them if pulled over for rolling through a stop sign.
If you look at the body of any writers' work, you can figure out the questions that animate them. I think that is what real writers do. They don't tell people how to live or what to think. They write in order to try to answer their own deepest questions.
Instead of condemning people, let's try to understand them. Let's try to figure out why they do what they do. That's a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness.
You have to look at yourself objectively. Analyze yourself like an instrument. You have to be absolutely frank with yourself. Face your handicaps, don't try to hide them. Instead, develop something else.
I have ideas that I think might be amusing, and I try them, and if they look right, I carry them out, and if they don't, I throw them out and try something else. I don't agonize about it.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
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