A Quote by Kate Beckinsale
I have more pet peeves than anybody: people talking in the movie theater, people eating in the movie theater loudly, people being rude, people making noise when you're supposed to be asleep, like drilling noises outside. I could be here all day.
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I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I worked at a movie theater in Tempe, Arizona, when I went to community college there. And I got fired because a sorority had rented out a theater to watch 'Titanic,' and they were being really rude to me while they were waiting for the movie. So as I tore their tickets, I told them the end of the movie.
For me, there is nothing more valuable than how people feel in a movie theater about a movie.
We went on the opening weekend [of Star Wars], a group of us went out and just popped into a couple theaters just to see people in the theater watching the movie, and it was incredibly gratifying just to see the thing out there being watched by people. And the reaction was more than we could've expected.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
When you go watch "The Lord Of The Rings," you don't just buy a bag of popcorn, and go sit in the movie theater to watch where covetous people in our hearts deceive us, and then walk out the theater. That's the message that may be in that movie.
When I'm in the process of making a movie I'm not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences, some of which may not be as pleasant as I'd like! I know one thing, however. Many viewers may come out of the theater not satisfied, but they won't be able to forget the movie. I know they'll be talking about it during their next dinner. I want them to be a little restless about my movies, and keep trying to find something in them.
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.
Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.
I saw 'Avatar' in the theater eight times and I got booed for it. I'm totally serious. First of all, I love that movie. I totally love that movie, but nothing intrigues me more than the fact that it made like $2.7 billion and so how many people had to see it for it to make that much money.
It's unfortunate that it's not realistic that you can get people to come to a movie theater not knowing anything about the movie.
The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'
The world record is like you we went to the theater to see this movie, and it was really good, and it had an unexpected ending, and you left the theater saying, 'Wow, that was such a great movie.'
I don't want to be an art-house movie guy, where people who go to film school can discuss your work, but people who haven't studied cinema can't appreciate it. By the same token, I don't want to be the guy who's making this commercial pap that people lap up but that disappears the minute you leave the theater.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
I like being able to bounce between writing movies for people like Kevin Sorbo to making very personal films like orange county hardcore sinister to making a movie like [Wyatt Earp and the Holy Grail: The Tale of the Three Gates], which is made for the pure pleasure of getting together with creative people and making a movie. Alex Cox would be proud.
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