A Quote by Kate Moss
I wanted it to be kind of dreamy and 1920s, when everything is soft-focus.
Related Quotes
Everything that's lovely is But a brief, dreamy kind of delight.
My poor vision gives me a soft-focus morning. For the first half hour, I kind of wander through my house, and everything is a blur. I put my contacts in when I'm ready to deal with the world.
Everything is so dreamy when you are young. After you grow up it kind of becomes -- just real.
I'll never forget Cricket Australia telling me I was too soft and I'd been too soft with the team... I kind of didn't know what they wanted.
Everything in the street today seems soft focus.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.
When I am shooting a film, then everything goes soft focus. My family also complains that I don't give them time.
Many oriental cultures make a distinction between two ways of looking - 'hard eyes' and 'soft eyes'. When we look with hard eyes, we see specific details with sharp focus, but we don't see the relationships between different details as well. When we look with soft eyes we see the relationships between everything in our field of vision, but with this softer focus, we don't see all the details as clearly. It's possible to look in two ways at once.
I think Benjamin Bratt is the most dreamy... he's dreamy! And I love the fact that he's got this Peruvian heritage; he's absolutely striking.
[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.
And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."
Like the way the sun is right now, with the long shadows, and that kind of bright, soft light you get when the sun isn't quite setting? That's the light that makes everything better, everything prettier, and today, everything just seemed to be in that light.
I can't see as well as I used to. Which is actually convenient because everything I see is in extremely soft focus! I think that's God's little gift to me.
The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Usually, in the history of art, the narrower the focus in which the artist is forced to work, the greater the art.
When it comes to R&B singers, people think of soft men and technically I am not a soft man, not your typically R&B cat, so with a song like 'Ice Box' I wanted to be the voice for others.
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