A Quote by Kate Moss
Americans are really obsessed with their teeth being white and straight, aren't they? I saw this little girl the other day with one of those whole head braces. Elastic all the way around! How traumatizing for a child to have to wear one of those! You look like a monster.
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When I was a child, I wanted to be an actor, but I had really bad buck teeth. I didn't want to get braces, but my mom said I couldn't be an actor if I didn't get the braces. So, I got the braces.
As a kid I had buck teeth and braces and acne. I hated what I saw. I'm still not comfortable, but that's why I change and adapt the way I look.
When I was a little girl, I used to watch a lot of monster movies, like 'Godzilla.' All those monster movies.
You instinctively know that nothing will ever be the same, and you have to carry that knowledge around with you like a huge weight. The next time you see your girl, you can’t look her straight in the eyes the same way you did for all those years.
It truly is a little intimidating to go speak at a middle school. Sure, on one hand the kids are only around 13 years old, but on the other hand, merely going back there reactivates the dorky, miserable feeling of being that age again. It isn't easy. As soon as I arrived I could almost feel the braces on my teeth, the don't-look-at-me slouch of my shoulders, the feathered wings of my bangs.
I think people are like that. When you really look at them, you stop seeing a perfect nose or straight teeth. You stop seeing the acne scar or dimple in the chin. Those things start to blur, and suddenly you see them, the colors, the life inside the shell, and beauty takes on a whole new meaning.
When I look in the mirror I see the girl I was when I was growing up, with braces, crooked teeth, a baby face and a skinny body.
I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.
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I look to everyday magic in art to remember how to live: how to estrange and vivify ordinary objects and beings. So little, really, is ordinary, but to remember this I need the brain chemical of painting and film and reading I had a thrummy doomed oracular feeling when I wrote blackened baby teeth into my little blind boy story: I saw teeth and in an instant they were becoming something else. They were buckshot. They were food. They were tiny flightless corvids.
Once upon a time there was a crooked tree and a straight tree. And they grew next to each other. And every day the straight tree would look at the crooked tree and he would say, "You're crooked. You've always been crooked and you'll continue to be crooked. But look at me! Look at me!" said the straight tree. He said, "I'm tall and I'm straight." And then one day the lumberjacks came into the forest and looked around, and the manager in charge said, "Cut all the straight trees." And that crooked tree is still there to this day, growing strong and growing strange.
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I'm very fortunate to have worked at two unbelievable clubs, Manchester City and Barcelona, and I feel like I've really changed the way I look at football from being around and in those environments, so I feel really privileged.
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