A Quote by Kate Moss
At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
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I feel, in drama, you don't need to be fed everything. Even though sometimes when you watch, you want to know what happened and you want to see it, I feel like sometimes it's so much stronger to see the effects that those actions have had.
When I'm unable to see a mistake I made right away. Maybe this is my Taurus mentality, but sometimes I don't see it and I don't see it and then, before you know it, I finally see it, and I'm like, "How the hell did I not see that? It was right in front of me all this time." And I have to look at the wake I left behind, the disappointment. That makes me feel weak.
Praise, help, or even a look, may be enough to interrupt him, or destroy the activity. It seems a strange thing to say, but this can happen even if the child merely becomes aware of being watched. After all, we too sometimes feel unable to go on working if someone comes to see what we are doing. The great principle which brings success to the teacher is this: as soon as concentration has begun, act as if the child does not exist. Naturally, one can see what he is doing with a quick glance, but without his being aware of it.
During my training, we had monthly assessments. It was my first time doing makeup by myself, and I did not even know how to draw on the eyebrows. Since then, I started to look for makeup related videos on YouTube and naturally became more interested.
I look at other filmmakers and see skills in them that I wish I had but I know that I don't. I feel like I have to work really hard to keep myself afloat, doing what I do. But I find it pleasurable.
I trip off it. You know what's interesting about the makeup is when you get up close and you know he's been working on your face, and you see where the makeup starts and it stops, and how seamless it is. You could look at it for hours.
I went to go see 'Final Destination' which you have to be 17 and over to see and they're like 'Uh, we need to see your I.D.' Here's the really funny thing is that I actually had done my hair and makeup that day. If I don't do my hair and makeup I can understand it but I had actually made an effort to look older.
The problem with looking in the mirror is that you never know how you will feel about what you see. Sometimes, when my hormones are out of sync, I have no interest in the mirror, and if I do look I think everything is all wrong. Other times, I am quite pleased with what I see.
I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
People always go on about how fantastic relationships are in the beginning, and of course everyone hates relationships when they end, but what about the middles? the middles where you know everything there is to know. Where you can look at the person you love and know what they're thinking, see something on the telly and know how they'd react;When you know exactly what they'd wear to come round and see you.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
A person who actually knows how to wear clothes...they would look good in any clothes. You see this especially at the Academy Awards. Even if the dresses are beautiful and expensive and important, the actresses can't always carry them. Sometimes I feel like saying to them, "Act! You know how to act, you're an actor. You're about to win an award for, I don't know, convincingly playing that Venezuelan nun who went to war. Now act like you can wear this dress.".
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
It's very important to remain optimistic and to see the silver lining in everything you do. Because no matter how sometimes things look difficult, and look like there is no hope, there is always a small glimmering of silver lining that is in everything, and I always look for that, and hang on that, and before I know it, another day comes and is gone.
Maybe sometimes, when I see some kids, you know, with their families. It's making me cry. You know, maybe when I ask them, sometimes, like, 'How does it feel to have a dad?' And, you know, they tell me this great answers, and sometimes I wish my dad was here.
You see those magazines, 'Oh, look at so-and-so without makeup, Halle Berry without makeup.' It's so crazy to wake up in the morning and have that thought - 'Do I need to put makeup on? Do I need to do something because I know people are going to know who I am?'
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