A Quote by Kate Moss
I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
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Now, I made the most money I ever made in my life with 'Papers' - I think my first check was like $101,000, my folks couldn't even believe. At this time, this is like 2010, I'm still in the barbershop cutting hair, still being the regular Zaytoven because I felt like after 'Papers,' it wasn't going to get any bigger than that.
Now for me, you're the irreplaceable one: I've never see you up so close before, and I do not understand you at all. You say sometimes I act like I don't see you? I don't even know where to look! Living with you around is like is like living with a permanent dazzle. The fact that you even like me, or look at me, or brush by me, or hug me, or hold me, is so surprising that after it's over I have to go back through it a dozen times in my head to savor it and try and figure out what it was like because I was too busy being astounded while it was happening.
By the time I got to set for 'Cobra,' I think I'd lost about 28 pounds in about a month and a half. I didn't want to look back and be like, 'Wow, someone should stop eating PB and J's.' Like, if I'm going to look back when I'm 80, I wanted to be like, 'Wow, okay, I looked pretty fit. I used my youth right.'
I think a lot of people, even if you're not Asian, you go to your place of origin where your family comes from, and you get this sense of, 'Wow - people look like me and talk like me and treat me like their son in the stores and like a cousin in the restaurants.'
That's the misconceptions that people have, that Chuck Berry went to jail. They're just totally wrong. It might have said something in the large papers in the bigger city headlines and things. But, you take a look at any of the local papers, and you will see that I was acquitted. I never went to jail.
I go on stage and people like what I look like; as soon as I'm outside I feel like I have to hide, because people laugh at me, because of the way I look. Now, I use this look, it works for me, I even exaggerate it. I used to hide my large forehead, but now I'm selling it.
I read the newspaper online. Mostly 'The New York Times.' I'll still buy papers if I'm getting on an airplane or the tour bus, though. I like physical things.
What does it mean when I wear something that makes me look like a Disney Princess? Versus something that's like 'ooh, maybe Kiki Layne can be a sex symbol.' Because these are things that, sometimes dark skin actors with natural hair, we don't get put into those types of conversations.
The thing is, you don't even want to be mad about someone calling you fat because who the f--- cares? Like if somebody tells me, 'Oh, you look curvier.' That should not be a diss. The fact is, we live in a time where that is a diss. It's horrible we can be like, 'You look so skinny,' and someone's like, 'Thank you!' That's horrible. That's equally as horrible to me. So the time we live in, it's upsetting.
Most people think spies are afraid of guns, or KGB guards, or barbed wire, but in point of fact the most dangerous thing they face is paper. Papers carry secrets. Papers carry death warrants. Papers like this one, this folio with its blurry eighteen year old faked missile photographs and estimates of time/survivor curves and pervasive psychosis ratios, can give you nightmares, dragging you awake screaming in the middle of the night.
When I went to see Mrs. Clinton and we talk about the inaugural dress I ask her what would you like to achieve with this particular dress? And she said to me what I would like is - that when I walk into the room and people will look at me and say wow you look great.
You search for images and stories and movies and music from people that look like you and sound like you and speak like you because you want to feel like, 'Oh, if they can do it, so can I.' There's a little bit of that need for validation, especially when you're younger and trying to look to someone to look up to.
When people stare at you, and you read about yourself in papers - at 13, it just got very confusing. I thought that if this is what it's like to be famous, I don't like it one bit.
I really like to take the time to build things slowly and surely - to get more grounded. But it never felt for certain, like, "One day people will listen to me!" It was more like, "Perhaps I've got something to say." So it feels fantastic. It's good to take the time to think, to find, to search.
I'm just playing songs for my friends and for people, and they're just like, 'Wow, this is powerful.' I'm excited. It's also important that, in the record, I move the focus a little bit away from me to more about the things that I think about, communities like drag, gender expression, and friendship-concepts that go beyond me.
I feel like an outsider sometimes. Sometimes being more public makes me feel uncomfortable. I'll have people asking me for autographs in Thailand and I'll ask if they've seen my films and they'll say, "No, but I know who you are and I like the way you look - I like the skinhead look."
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