A Quote by Kate Upton

I'm sure every designer has a certain person in mind who they would ideally like to wear their clothes, but the problem is that a lot of the time that person doesn't actually exist, unless she is a 15-year-old model.
We've all met a certain type of spiritual person. She's a wonderful person. She loves the Lord. She prays and reads the Bible all the time. But all she thinks about is herself. She's not a selfish person. But she's always at the center of everything she's doing.
Big story at the Olympics regarding Michael Phelps. He stepped out with his girlfriend for the first time. She is a 25-year-old model from Los Angeles. Like every other model in L.A., She's dating an older retired guy. What's going on?
Although I'm sure she's completely charming and delightful, I'm not sure if Kate Middleton might be the best role model. This is a person who has got where she is by marriage, a person whose weight, clothing, hair we worry about - we don't worry about what she's thinking.
I feel like I wear kind of the same things on stage that I would wear every day, unless I'm being lazy, and then I just wear trackies. But actually, if I'm honest, I wouldn't really walk down Kilburn High Street in a leotard, and I would wear that onstage.
All changes in clothes rise out of the lives of the people who wear them. The function of the designer is simply to see a little ahead of time what the people want, and to provide it. No designer can start anything really new and different unless there is a public all ready for it.
There's a certain type of person drawn to the gangster world, and they're generally young men who were predisposed to violence and risk-taking, who like to make a lot of money quickly and wear flashy clothes.
A person who actually knows how to wear clothes...they would look good in any clothes. You see this especially at the Academy Awards. Even if the dresses are beautiful and expensive and important, the actresses can't always carry them. Sometimes I feel like saying to them, "Act! You know how to act, you're an actor. You're about to win an award for, I don't know, convincingly playing that Venezuelan nun who went to war. Now act like you can wear this dress.".
When I started 'DailyGrace,' I was dating a 26-year-old guy I thought was the funniest person in the world. My creation process every day was imagining him watching my videos and wondering, 'Will he laugh at this?' But somehow that's turned into an audience that's mostly 15-year-old girls.
Yes, it gets better, but I also understand that saying to a 15-year-old that, 'Oh, don't worry, just wait a year', is like saying 'Wait a lifetime', but every single person has the right to go to school and not be afraid.
The brilliant costume designer Mary Zorphres had done all this research on West Texas in 1980. Every woman looked like that. At a certain age, they would get their hair cut off, let the gray go in, get that permanent, and wear those big glasses. She gave me a beanie bra so my boobs would hang down, and these old dresses. My hat's off to her, because I thought it was perfect for the movie. It was so great to have some comic relief right at that moment. No Country For Old Men is such an intense film.
As a person, I am still very middle class. People don’t realise these things. Most of the black suits that I wear are the same. All the designer clothes I have are actually from my films. I don’t dream of Rolls Royce and things like that… People are kind enough to me to give me the nicest things in life, but it doesn’t mean that I’m used to them.
Just because they're going to the gym, a lot of guys wear old T-shirts that look like they've been lying in the closet for 15 years. My workout clothes have to work.
The average age of a model is fifteen years old. It's so crazy to me. And how confusing for men; they're like, "Well, I'm supposed to be attracted to that image" - like that's what it's designed for - "but it's a fifteen year old girl." I think it's a very confusing thing for every single person involved.
When I wrote the story ["The Cartographers"], I'd just gone through a breakup with a woman I'd loved dearly. Without this other person in my life, the memories we'd shared often felt like phantoms. Who was this person I once loved? Did she still really exist? The answer, on a metaphysical level, was that this person didn't still exist. She'd gone on to become a different person, an individual with new hopes and dreams which no longer involved me.
The combination of an individual[i.e., a client] with a positive idea of living and a good designer is the great force in contemporary decoration. I don't care how good the designer is, I am sure that he [or she] would rahter have a person with definite ideas rahter than have to work with a negative figure as a client.
The problem is that your daughter has given her heart to a 15-year-old boy, and a 15-year-old boy does not yet qualify as a human being.
This site uses cookies to ensure you get the best experience. More info...
Got it!