A Quote by Kate Upton
I just think that pick-up lines in general are horrible. None of them work.
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As soon as I start to write I'm very aware, I'm trying to be aware that a reader just might well pick up this poem, a stranger. So when I'm writing - and I think that this is important for all writers - I'm trying to be a writer and a reader back and forth. I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I'll read those lines as if I had never seen them before and as if I had never written them.
I like doing voiceover work. I just like it in general, because you're constantly working on a very first-instinct level. You show up, you get in front of the microphone, you look at the lines, you say the lines, and then you move on. You work on a really primal level, is what I'm saying. You don't have to shave. You don't even have to wear pants. But, uh, that wasn't your question.
I think that's life in general. It's the way it is when we pick stocks, all of them don't always work, so I guess I come to the view naturally. That's just the way life is for human beings so its going to be just as true for policy.
I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.
One of the monstrous things that slavery in this country caused was the breakup of families. I mean, physical labor, horrible; beatings, horrible; lynching death, all of that, horrible. But the living life of a parent who, A, has no control over what happens to your children, none. They don't belong to you. You may not even nurse them. They may be shipped off somewhere, as in "Beloved" the mother was, to be nursed by somebody who was not able to work in the fields and was a wet nurse.
These are very subtle things, of course, and I don't expect everyone to pick them up consciously, but I think that there is something there that you must be able to feel, there is an energy at work that I must trust my audience will be able to pick up at some level.
You can't just think up a move in your head and go, 'Okay, I'll just pick somebody up, and I'm just going to throw them backwards into the post.' You have to think, 'Would you want someone to do the same thing to you?'
I'm not really a line type of guy. I mean, pick-up lines work for some guys. You gotta really sell that thing hard. I did try one pick-up line, and it failed miserably. I thought it was really funny, but the girl didn't find it very funny.
If I didn't work for WWE, I feel like I would just delete Twitter! It's just so poisonous, it's horrible. It's a horrible place and I don't really want to be on it, but I have to for work.
You make a decision whether you just work on the script and believe in every moment and pick out every moment, or if you sit down and memorize lines. Once you really dig into a script, learning lines becomes almost second nature.
I have worked with some horrible idiots in my life. You learn the pattern of how architects work and the thing is not to fight it. Just to be very quiet, let them get on with it and let them really mess it up.
This is one of my favorite pick up strategies: I'm constantly giving women my keys. So far, none of them have shown up. Matter of time. And I've been robbed twice.
If a band isn't coming up with two to four of those when they pick up their instruments, then they have problems - even if none of them turn into a song. If that's not happening in a band, it's time for therapy or breaking up.
I think I just pick really smart and motivated people to work with - people who are probably going to do great things anyway - and I just teach them what I know, maybe teach them how to think a little clearer than they did before, and then off they go.
I liked the idea that if something horrible was happening to one of the characters in the mental hospital, no one would believe them. The staff would just chalk it up to them being crazy. So it gives me a lot to work with.
I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.
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