A Quote by Kate Williams

Unless I'm asked to dress up in a costume, TV shows prefer a clean, modern look, so I've developed a wardrobe full of plain, bright colours. If it's an outdoors job, I just wear big jumpers.
I am quite old-fashioned: I wouldn't consciously think 'I am going to dress up in a sexy manner' because it's just not me. I like to look cheeky, friendly and approachable, and I wear bright colours, like a clown.
The buffoon is a product of the woolly jumpers in the 1980s on 'TV:am.' It was a costume and I loved earning money before breakfast, but 9 A. M. came and I then took off the woolly jumpers.
With the NBA's dress code, I had to revamp my wardrobe a little bit. They call it 'business casual.' You have to wear dress jeans or dress slacks, with a collared shirt or sweater. And you can't wear athletic shoes.
At school, there was an annual school disco and I'd be standing in my bedroom wondering what to wear for hours on end. Eventually I'd arrive at a decision that was just the most ridiculous costume you could have ever devised - I think it was probably knitted Christmas jumpers on top of buttoned-up white shirts.
I prefer to be gender fluid or non-gendered and I dress in drag almost every day of my life even if I'm not in my full Jinkx Monsoon persona - I'm the kind of person who does not dress like my assigned gender and I wear makeup every day and sometimes wear wigs as a boy.
On 'Good Morning Britain' I regularly re-wear outfits, and my wardrobe at home is the same few jumpers and jeans.
I didn't want to do Chekhov or Shakespeare. So I switched my major from acting to costume design. Eventually, I got a job working as a wardrobe assistant for a theater company. I would dress the actors, fix their costumes, do the quick changes for them and all that stuff.
I have an evening dress, pink mull over silk (I'm perfectly beautiful in that), and a blue church dress, and a dinner dress of red veiling with Oriental trimming (makes me look like a Gipsy), and another of rose-coloured challis, and a grey street suit, and an every-day dress for classes. That wouldn't be an awfully big wardrobe for Julia Rutledge Pendleton, perhaps, but for Jerusha Abbott - Oh, my!
The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.
You come to me and it's my job to make you look the best you can look. From an image point of view, would I prefer to dress Jude Law instead of Rolf Harris? Of course. But it's my job to make them both look great.
I like a house party and fancy dress, a big fan of fancy dress, like dress up, costume parties.
I have a wardrobe full of expensive clothes, but wear the same two T-shirts. I've never found a look.
My performance outfits are very Marie Antoinette, sparkly corsets... and full skirts. And then we do another look that's '50s-inspired. Poufy skirts, big bows. Very fun, girlie and young, but otherwise, when I'm not in costume, I dress really normal.
In matters of dress we wish neither silk nor rags," President Hinckley said. "We seek for the clean look, call it a wholesome look, the bright and happy look of young men and women who walk with a sense of who they are, of what is expected of them, and of what they may become.
In my field, you can't really wear the same dress twice unless you want Isaac Mizrahi to scorn you on TV.
My wife changes the way that I dress. She makes me dress nicer than I want to dress. I feel like I perpetually dress like a 14-year-old boy, and she makes me stand up straight and wear clean clothes.
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