A Quote by Kathryn Bigelow

My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy. — © Kathryn Bigelow
My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
That was my heart and that was my passion. All I ever wanted to do is wrestle. I never wanted to pitch in Game Seven of the World Series, I never wanted to throw the touchdown in the Superbowl, I wanted to wrestle...Be a professional wrestler.
I never have changed in my taste, and the things that I love, and the way that I act, and all that. I never wanted to change, I just wanted to be successful, and be able to do more things for more people, and for myself as well.
I never wanted to be a model. I never wanted to be a serious actress. I started off doing comedy. I did a stand-up comedy camp at the Laugh Factory, and I started out on Nickelodeon.
When 'If God Was a Banker' became a success, it changed my entire perspective. I wanted to write more and wanted to be lot more successful as a writer.
I think the sense of performance and theatre was in my blood very early - but my father was more involved in music and light entertainment, whereas I wanted to do serious classical acting. I wanted to be Dame Carol Drinkwater.
A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
When I was coming up in Miami, the music in the city at the time sounded completely different. I loved it, but it just wasn't the type of music I wanted to make. I wanted my wordplay to be more sophisticated. I wanted the sound to be more lush. I wanted my music to sound like who I was and aspired to be - boss.
I always wanted to be acting but...my parents (who are Cambodian) wanted me to be something else with more stability, like a doctor or lawyer. My heart wasn't in that and I'm really glad I followed my heart.
I wanted to travel. I wanted hit records. I wanted success. I wanted respect, but not credibility - that's one thing Boyzone never looked for.
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