A Quote by Kathryn Bigelow

It's irrelevant who or what directed a movie; the important thing is that you either respond to it or you don't. — © Kathryn Bigelow
It's irrelevant who or what directed a movie; the important thing is that you either respond to it or you don't.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies. It's irrelevant who or what directed a movie, the important thing is that you either respond to it or you don't. There should be more women directing; I think there's just not the awareness that it's really possible. It is.
I'd never directed before and this movie's too important to me to put in the hands of some guy who has never directed. Even if it's me.
I'd never directed before and this movie's too important to me to put in the hands of some guy who has never directed. Even if it's me
Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.
You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only respond to a movie if I'm interested in the people who are in it. It's really that simple. If I'm not, then it's all noise.
I thought Rounders was a comic movie in its way. First time I directed a movie, I wanted to do a comedy. I don't like things that are superficially one thing or another, mainly. My favorite comedies are really smart, too, and have a lot of levels to them as well.
It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.
I strongly feel, for me to act in any movie, the director of the movie should be known to me. Though this fact should not be important for most artists. But, you can either call me shy or traditional in my thinking - but this is an important aspect for me to sign movies.
The Craft was what it was. People who respond to that movie respond to it really strongly.
I directed fourteen movies. Every movie had Hector Elizondo. He didn't like Beaches. I don't know, it was originally not a happy movie at all, it was much sadder than that. And they brought me in to kind of make it a little more 'warm', I guess you might call it. The original ending was a whole messy thing.
These little daily choices that we're so used to thinking are irrelevant are the most important thing we do all day long.
The only person you have to think about lying twice to is either yourself or to God. The press isn't either of them. And I just figured they're irrelevant.
The best thing you can hope for, when you make a movie and you put your soul into it, is that people respond to it well.
I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
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