I'm definitely drawn to stories of just regular folks, just generally in some kind of horrific situation. I keep saying I want to do a love story in the south of France with a boy and girl and some wine. Then I always end up in an oil rig with four hundred guys or on a mountain with guys shooting at each other.
I'm definitely always drawn to the injustice of people who have been imprisoned for things they didn't do. But also lots about abortion and gay marriage. Civil issues are usually what I am drawn to.
We are definitely modernizing 'The Three Musketeers' without compromising the fun of shooting a period piece. But in our film, corsets and feathered hats don't take center stage. Our version is rich in eye-popping action, romance, and adventure.
I like shooting locations just because too much control on the stage can be a bad thing.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
There are lots of incredible people who are working in very flawed structures that are designed to keep us apart, so we're going to have to figure this out. The first stage is just talking about it openly: We are all working within structures where there is a disincentive to do what we most need to do, which is come together. I don't know what the answer is but I definitely think that that first stage is just being honest about it and trying to speak about it in a way that is not just accusatory.
Everything I put on stage is real; that's what my life is. My emotions - I wear them on my sleeve. I'm definitely putting my heart out there when I'm on stage.
I'm not drawn to stories that are just sort of fluffy. I'm just not, and I've tried to, and as a kid I was never drawn to them. I always chose complicated.
From the core, I'm a shy person, but when I'm on stage, I know how to put it aside. Of course, I'm not perfect, but I've definitely grown as far as being comfortable on stage.
Having been trained as a stage actor, and then you go out there and you're on 40,000 acres and you have a horse under you and you're shooting a real gun, you almost don't have to act. It's just really amazing.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
Shooting is definitely one of my strengths.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
The stage show is, in some sense, highly theatrical. It's definitely not just a band in jeans playing rock and roll.
I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.