Pilots get made, and they don't go to series. Stuff gets written and never gets made. I've tried to develop stuff that never went. It comes and it goes. It's a part of the process.
When I made 'What They Want,' I was going crazy. When I made 'Losin Control,' I was going crazy, when I made all the songs that are on my Soundcloud, every time I was out, I went crazy, like it was still the first song that I made.
I'm an adrenaline guy. I like to do stuff that gets my blood pumping, like roller coasters or jumping out of planes. I'm into all that crazy stuff.
When you're spending your money for a nice outing, you want to go have a good time. And I always thought comedies, laughing, was something that was made for entertainment on that level. And records and maybe TV and stuff like that is really made to be heavy.
In the military it was camouflage for the desert or the winter. And now it's the duck hunting colors - I think it's "real tree." It's comfortable. It's stuff that's made out of comfortable material, OK, and I'm comfortable in it.
Sometimes I watch films that I can't believe got made. Especially because I read scripts that are truly incredible, that will never get made. I don't know who is behind those decisions. It's like you just have to doodle something on a page about the underdog who finally gets the girl and the film gets made.
If you can get your movie made the way you want to get it made, no matter what the end result is going to be, if people are going to see it, that's awesome.
I think the key to being a journalist is getting your subject to feel comfortable enough to talk about stuff they want to talk about and the stuff they like and don't like, and still feel comfortable about it.
I long for the simplicity of theatre. I want lessons learned, comeuppances delivered, people sorted out, all before your bladder gets distractingly full. That's what I want. What I know is what we all know, whether we'll admit it or not: every attempt to impose the roundness of a well-made play on reality produces a disaster. Life just isn't so, nor will it be made so.
I made a decision at some point to live a nontraditional life. I've become like, the opposite of a consumer. I just want freedom. I don't want stuff. I don't want clutter. I just want to be able to move freely. I want to be good to the people I love. But I don't want stuff. I just want, you know, love and big ideas.
What gets made that's considered for men - it's really just T&A stuff. It's not stuff than any guy I know really wants to watch, you know, the stuff with jiggling boobs and all that. Something with real sort of male themes and male strength and things I want to watch in a drama.
After my accident, the stuff that mattered was stuff that made a difference in the world, not the stuff that made money.
Independent films are very hard to get made, but I'm lucky enough to get them made, so I'm going to keep doing it. I like my independence. I like being able to tell a story the way I want to tell a story. I don't like developing it with a team. I like coming to a story and deciding whether I want to do it or not.
I'm fairly comfortable in fight sequences and stuff like that. I've done a few of them. I'm comfortable with that sort of stuff as long as I'm reasonably fit, and it's fun to do actually. I'm like a kid in a toy shop doing that stuff.
I don’t think there's ever been a point in my career where I've said, 'I've made it.' What does that mean, 'I've made it?' Made it to what? If you say, 'I've made it.' then are you finished? I don't want to be finished. I don't want to quit.
Going to a movie so you won't be offended is like eating potato chips made with Olestra; you avoid the dangers of the real thing, but your insides fill up with synthetic runny stuff.