A Quote by Kathryn Bigelow
There's a conventional reaction when you see a star: You anticipate he'll be a part of a particular denouement down the road, so you don't worry for that character.
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I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
Just getting to be a part of the 'Star Wars' universe is not something most actors anticipate as part of their careers.
I worry policymakers are not putting enough attention on what we should be planning for 10 years down the road. In general, governments aren't necessarily that good at looking down the road when it is a difficult issue.
The conventional Aristotelian plot proceeds by means of a protagonist, an antagonist, and a series of events comprising a rising action, climax and denouement.
I'm building a career as big as humanly possible so I can be in a 'Star Wars' project. My life goal is to have a character in the 'Star Wars' universe, film or other media. I just want to go to my grave knowing I played some character or some character based on my likeness was part of that world.
In Washington, as we learned from the White House transcripts, a president may speak of kicking butts, call a problem a can of worms, decide not to be in the position of basically hunkering down, anticipate something hitting the fan, propose to tough it through, sight minefields down the road, see somebody playing hard ball, claim political savvy, and wonder what stroke some of his associates have with others.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction so that you can then use that reaction later for something else.
I reach readers rather unintentionally, I think, and those readers likely connect with the slant, the off-kilter, the part of the road you can barely see from the well-traveled road. So, when I'm writing, I'm not thinking about audience at all. Instead, I'm trying to see behind those shrubs, down that hidden path. We're the weirdos of the world and there are so many weirdos.
When we are out on the road, running up and down the road playing shows, you have to be not only a member of a band but, especially with Lynyrd Skynyrd, you have to be a part of the Skynyrd nation. You have to be a part of the family.
If I speak with a character’s voice it is because that character’s become so much part of me that … I think I have the right then to imagine myself into the skin, into the life, into the dreams, into the experience of the particular character that I’ve chosen.
So more than 8 million people lost their jobs. It's going to take a significant push on our part and time before that comes down. I don't anticipate it coming down rapidly.
One dictionary defines denouement as "a final part in which everything is made clear and no questions or surprises remain." By that definition, it is exactly the wrong word to describe this chapter. This chapter will make nothing clear; it will raise many questions; and it may even contain a surprise or two. But I say we call it the denouement anyway because the words sounds so sophisticated and French.
Once you uncover the history of this pattern and trace its roots, you will see that your reaction in the present moment is really a reaction from the past, a shadow character's attempt to protect you from reexperiencing an old emotional wound, which instead sabotages you in the present.
Maybe down the road, I can see myself being part of the creative process, but acting is definitely my first and true love.
For a sitcom sex scene, you get in bed and that's the end of the scene. It quick and it was fast, but it was foreign territory for me. Not for Bobby. Bobby Cannavale has been down that road before. With my character, I think it will be a one-and-out. I don't think you'll see my character [in Vinyl] naked again, so relax everybody.
Road racing imitates life, the way it would be without the corruptive influence of civilization. When you see an enemy lying on the ground, what’s your first reaction? To help him to his feet. In road racing, you kick him to death
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