A Quote by Kathryn Minshew
When I was still a bright-eyed McKinsey consultant, I remember hitting a point where I didn't know what to do next, and someone gave me the book, 'How Remarkable Women Lead,' and I read it and scribbled in it, and it felt like a guide in helping me figure out my career.
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Many women have told me they remember where they were when they read the book, and how they felt suddenly that what they really thought or felt about things made sense.
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
Well that's a bit of a question like saying, what have you learned in life that would help you lead? My whole life has been learning to lead, from my parents, to my education, to the experience I had in the private sector, to helping run the Olympics, and then of course helping guide a state. Those experiences in totality have given me an understanding of how America works and how the economy works.
One of the remarkable things about being 19 is that you can break open a case of warm beer at midnight and still be wide-eyed and alert for your eight-a.m. class. And that gave me the false impression that my life would always be like that.
And then Adam Wilde shows up at Carnegie Hall on the biggest night of my career, and it felt like more than a coincidence. It felt like a gift. From them. For my first recital ever, they gave me a cello. And for this one, they gave me you.
When I got the job with 'Superman,' it felt like somebody threw me into the ocean. I was just trying to figure it out, to figure out how to tread water. Lucky for me, I'm part of a great team.
Someone gave me the Love Languages book, and that has been the best book I've ever read about relationships and has helped me the most.
Man, I hated not being able to figure someone out. And from the slightly uncertain look he gave me as we all went to class, I suspected he felt the same way.
I remember running down a road on my way to a nursery of flowers. I remember her smile and her laugh when I was my best self and she looked at me like I could do no wrong and was whole. I remember how she looked at me the same way even when I wasn't. I remember her hand in mine and how that felt, as if something and someone belonged to me.
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.
I spent most of my career, including my time at McKinsey, never acknowledging that I was a woman. And, you know, fast forward - I'm 43 now - fitting in is not helping us.
I remember seeing this image of these women wearing these bright clothes and patterns, and it struck me. I remember taking note and going, like, "What is that? Who is that?" and finding out it was Gucci and being surprised.
I vividly remember my sixth-grade classroom. I remember what it smelled like, where I sat, what I could see out the window, and how I felt about things. Peel away my decrepit middle-aged exterior, and an important part of me is still twelve years old. It helps me when I sit down to write stories for kids.
The songs sort of come out spontaneously and it'll take me awhile to figure out what exactly is happening lyrically, what kind of story I'm telling. Then I start building little bridges - word bridges - to make everything go from one point to the next point to the next point until it reaches the end.
I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
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