A Quote by Kathryn Minshew
Slouching or leaning back may send the wrong signals. When you sit down for a formal interview, lean forward to show interest and active listening.
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People in America, when listening to radio, like to lean forward. People in Britain like to lean back.
Lunch is formal - that's when my husband and I have our dates. And dinner is formal: we sit down every day with the kids at seven o' clock.
In film, life-and-death struggles make you sit up, lean forward a little bit. They amplify things happening, in smaller ways, in all of us. These things show up in relationships. They show up in struggles and bring them to a critical point.
one way to keep people close to you is by not giving them enough. ... with people who give a lot of themselves, you sometimes lean back - but with people who give little you often lean forward, as if they're a spigot in the desert and you're the empty cup. It is the tropism of deprivation: We lean toward those who do not give.
I moved down the street like a cloud of awareness following a body that seemed simultaneously familiar and foreign. There was an incomprehensible attachment to that body, although it no longer felt like "mine". It continued to send out signals of its sensory perception, yet how or where those signals wwere being received was beyond comprehension.
History has been male and the future is female. Leaning on women as a body and the female archetype, and not just women but men - we're asking men to dig deep and deconstruct their seat of privilege. Because this is an emergency. We're in threat of losing our homes, the future of our future generations, and the biological paradise that we're apart of. It's in the interest of all people that we lean on the feminine archetype in our movement forward.
How Donald Trump reaches out to groups that may not have supported him, how he signals his interest in their issues or concerns, I think those are the kinds of things that can set a tone that will help move things forward once he has actually taken office.
There is a gesture he has, a motion, that always reminds me of a great batter leaning into a hit. He has a way of throwing one foot forward, putting his head down a bit as he silently runs the valves, and then the cheeks bloom out in the way that has mystified his dentist for years, and he hits into the solo. When that foot goes forward like that, you know that John Birks Gillespie is no longer clowning. Stand back.
It's still a lean back, enjoy or a lean forward, be involved, enjoy medium. It's real engagement, real emotion.
I'm not a standup. I didn't start off as a writer, I learned to write through improvisation, and so that's the part of the show that can most surprise me. The written part of the show, I know I can get wrong. You can't really get the interview "wrong."
Listening is not merely hearing, it is receiving the message that is being sent to you. Listening is reacting. Listening is being affected by what you hear. Listening is letting it land before you react. Listening is letting your reaction make a difference. Listening is active.
I sensed him leaning forward. It's weird to feel someone's attention on you that way, like you're the only thing in the world they're listening to. Most of the time people are distracted, or just thinking about what they're going to say next.
I could happily lean on a gate all the livelong day, chatting to passers-by about the wind and the rain. I do a lot of gate-leaning while I am supposed to be gardening; instead of hoeing, I lean on the gate, stare at the vegetable beds and ponder.
A lot of them are afraid to sit down and break their position. You should be able to make it so natural that you can just get out, and sit down and walk away from it, and there's nothing wrong with that.
We sit there, our eyes locked on one another, for several seconds. I know in my heart we're both thinking the same thing. Jacob leans forward over the candle, the shadow of the flame dancing against his bottom lip. I lean forward to meet him as well. It's a kiss full of promise, of trust, and of all that is magic.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
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