A Quote by Katie Aselton

The story of survival is a nice metaphor for our experience making this movie, finding your inner strength and powering through and getting to the endpoint alive. — © Katie Aselton
The story of survival is a nice metaphor for our experience making this movie, finding your inner strength and powering through and getting to the endpoint alive.
Through adversity, not only are we given opportunity to discover our inner strength, we are also given the gift of foresight so we can shine a light for others who go through the experience after us.
You build inner strength through embracing the totality of your experience, both the delightful parts and the difficult parts.
It was a strange experience, making a love story and not getting along with your co-star in any way.
Finding the center of strength within ourselves is in the long run the best contribution we can make to our fellow men. ... One person with indigenous inner strength exercises a great calming effect on panic among people around him. This is what our society needs - not new ideas and inventions; important as these are, and not geniuses and supermen, but persons who can be, that is, persons who have a center of strength within themselves.
In times of crisis, people reach for meaning. Meaning is strength. Our survival may depend on our seeking and finding it.
That's what I like about the idea of the aesthetic experience, the idea of both enjoying looking at works of art and how they kind of talk to you, and also the process of making art, getting back to that idea of the aesthetic experience of making art is very important, It's another way of thinking. Instead of just using your brain, you're using your hands to think with. They're different connections, the brain that comes through the fingertips as opposed that comes through the eyes and ears.
As we open our hearts to others, we begin to discover the truth of our own inner beauty, inner strength and inner light.
I've really learned to build this inner strength and inner confidence of knowing that I can get through anything because I know what I've pushed through in the past.
What is magic? In the deepest sense, magic is an experience. It's the experience of finding oneself alive within a world that is itself alive. It is the experience of contact and communication between oneself and something that is profoundly different from oneself: a swallow, a frog, a spider weaving its web.
No matter what happens with technology or whether you're in traditional animation or stop-motion or CG, the biggest challenge always is story. The flow of making the movie is usually determined by how your story is coming together, and when your story is straining and you can't quite get your hands around it, your entire production is straining.
The film [Sightseers] is really the story of the journey of a relationship, so the killings are almost a metaphor for the trials they go through. We wanted people to identify with the experience of going on holiday and having a quarrel with your wife, boyfriend, whatever. We knew if we didn't crack that it would not be watchable as a film.
My strength is in finding ways to make the government work for the people: finding waste, or money that is not being properly used... or finding opportunities that are out there and making them work for the community.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
Flow is the process of achieving happiness through control over one's inner life. The optimal state of inner experience is order in consciousness. This happens when we focus our attention (psychic energy) on realistic goals and when our skills match the challenges we face.
If I keep getting letters or if I keep getting messages from people who are still taking strength from my story, who are still finding it difficult and struggling, then you know what, then I'll keep doing what I do.
With a horror movie, you're making a metaphor. You're making a personalized nightmare for the protagonist.
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