A Quote by Katie Aselton
Steve Rannazzisi, Nick Kroll, Paul Scheer, Jon Lajoie - and they're such funny guys that they bring their own sort of twist to it all.
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I got an email from Nick [Kroll] that he and John [Mulaney] were looking to put on the stage show with two of their characters from Kroll Show and could I help at all. And they were doing it [off-Broadway] at the Cherry Lane and they had been performing it at UCB, just sort of testing it out. I worked on it for a little bit downtown and it was a great experience.
It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.
I have so many funny friends that I hang out and do bits with, and the fact that we can hire each other is amazing. I asked all of them to help make 'Kroll Show' the best that it can be. I'm selfishly trying to use their funny genius for my own benefit.
I'm pretty close with a lot of guys, like Nick Watney and Steve Marino, D.J. Trahan and Charlie Warren.
Bubba was the one person who wouldn’t even bat an eyelash that Nick was talking to an “imaginary” friend. Heck, he’d probably bring one of his own out to play, too. ~Nick
[My boys] they're all different. Jackie was very competitive. He was a tough kid - a little bit like Nick. Steve was sort of a finesse guy. He was a little bit like Nick - if he could touch it, he'd catch it. He played wide receiver at Florida State. Then, Gary came along and Gary was more my size.
When I got divorced, the first people I called were Nick Kroll and John Mulaney and T. J. Miller - all the pals.
Nick Kroll, A.D. Miles, Chelsea Peretti - those were the people I was always doing open mics with.
So much of the show [ Too Much Tuna] is improvisation, and I think that Nick [Kroll] and John [Mulaney] kind of catch each other at times, surprise each other. I think that really makes it a fun, sort of live, unique experience.
The world's so big, it's hard to pick one best friend. I like everyone in Venezuela, but in L.A., I hang out mostly with my comedy friends. Guys like Paul Scheer, Rob Riggle, Owen Burke, Ed Helms, Seth Morris - we all kind of came up together doing comedy in New York.
I'd say Jon Stewart has remained funny the entire time. Jon always makes it funny first. And he's just, he's talking about serious things, but in a funny way. Other comedians will talk about serious things in a serious way, and then you don't know what's going on.
I tended to lean towards the guys who both sang and played, such as Ricky Skaggs, Vince Gill, Steve Wariner... And at the other end of the spectrum, I had Eric Clapton in a rock and blues sense, jazz guys such as Tal Farlow and Les Paul... Then Chet Atkins-type stuff.
There are great jazz educators that I meet all the time. I met a guy named Paul Luchessi who has a high school jazz program in Fresno. And Bob Athayde who runs a junior high program in Lafayette, California. And man, we walked into these schools and Paul Luchessi said, "Jon is the composer of Paradox." A hundred or something kids started to applaud. "What? You guys know that? I'm so blown away.
It's great working with Steve Carell and Jim Carrey. Those guys are really funny.
Washington is rigged for the big guys - and no person has more consistently called them out for it than Jon Stewart. Good luck, Jon!
One of the coolest things was that, in 2007, I got to go to Iraq with Rob Riggle, Paul Scheer, and Horatio Sanz. We went over there to do some comedy shows with the U.S.O.
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