A Quote by Katie Aselton
I have a very hard time picturing myself in a room with some type of goo oozing out of an air vent and killing me; that doesn't really scare me because I don't think that's going to happen to me.
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When a record company looks at me I'm very hard to market, I don't really fit anywhere, It's hard to get me on the air, and I'm hard to demography, but! because of that I'm not subject to trends like you pointed out.
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
The idea that I'm going to have to sit down to write some fiction where I'm going to have to think of a plot would really scare me, because it would come out a mess.
Time, Baby - so much, so much time left until the end of my life - sometimes I go crazy at how slowly time passes yet how quickly my body ages. But I shouldn't allow myself to think like this. I have to remind myself that time only frightens me when I think of having to spend it alone. Sometimes I scare myself with how many of my thoughts revolve around making me feel better about sleeping alone in a room.
I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.
If death is in the room, it's pretty interesting. But I would also say that I'm interested in getting myself to believe that it's going to happen to me. I'm interested in it, because if you're not, you're nuts. It's really de facto what we're here to find out about.
I write about things that scare me. I've never written a snake story in my life. I myself have never written a story about snakes because they don't scare me. I write about rats because they scare the hell out of me.
My most recent novel didn't start out scaring me, but as I got deeper into writing it, it scared me. It's not so much where the story's going. It's where it came from. I always come out of it thinking, Okay, that got it all outta me. The next one's gonna be nice and simple, and it's not gonna scare me, and that never seems to happen.
I might get scared of a really big dog, but I don't scare easy. As a youngster I used to watch all the scary stuff by myself, so nothing really gets to me now. There's actually a new series on TV called Hellevator and I filled out an application to be on the show because I love that type of stuff.
It's hard for me to be happy because I'm always worried about something going awry or what could happen to screw it up. It's hard for me to sit and look around, going, 'Ah, I'm really happy.' I'm not that kind of person.
The Israel stories were really hard for me to write, because I think that my book is very much about politics, but it isn't political. It really was important for me to not have a political agenda at all, because I have a hard time stomaching any political fiction that feels message-y.
I look back and I look at all the opportunities that I've had to work really hard and really challenge myself, and I like to do things that scare me. I like to do things that I don't know if I'm going to be able to do. I need the help of talented people around me. I love that it's a collaboration.
I have always struggled with expressing emotion, I used to think I was a very hard person but music has shown me I'm a big softy! Writing songs to me really is like writing a diary, it's very private and very personal. My most emotional songs have been written alone in a locked room, I'm able to express myself there.
But I think it's important admitting to my teammates, Hey, I'm really struggling right now, and can you help me out?' Or, This serve is really killing me in the seam, can you take a step and take it for me so I can go and hit and have a better shot next time?'
Playing devil's advocate with myself is very, very hard. It's a 24-hour thing. Because I know there's a possibility that people are going to come after me, they're not going to understand me, so I have to be ready.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
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