A Quote by Keith Maitland
As far as documentaries, 'Man on Wire,' 'Atomic Cafe,' 'Waltz With Bashir,' and 'Thin Blue Line' all offered me different perspectives to consider as we were designing the structure and approach to 'Tower.'
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The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'
Command is a mountaintop. The air breathed there is different, and the perspectives seen there are different, from those of the valley of obedience. The passion for order and the genius for construction, which are part of man's natural endowment, get full play there. The man who has grown great sees from the top of his tower what he can make, if he so wills, of the swarming masses below him.
My small experience on 'Dancing with the Stars' allowed me to slowly appreciate the Waltz and Viennese Waltz, but to see it in Vienna is something much different.
The waltz can be sad and at the same time uplifting. You have to see life from both sides, and the waltz encapsulates that. If you're in my audience you give yourself to me and the waltz will grab you.
Terry Malick offered me three parts in 'The Thin Red Line.' I was busy shooting other movies while he asked me the first two.
The colors are stunning. In a single view, I see - looking out at the edge of the earth: red at the horizon line, blending to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue and various gradually darker shades of gray, then black and a million stars above. It's breathtaking.
The most common and most important result of them is that the nature and size of the effect on corresponding series of different elements are largely an expression of the peculiarity of their atomic structure - or, at least, of the structure of the surface.
In a Cafe" I watched a man in a cafe fold a slice of bread as if he were folding a birth certificate or looking at the photograph of a dead lover.
I started in documentaries. I started alone with a camera. Alone. Totally alone. Shooting, editing short documentaries for a French-Canadian part of CBC. So to deal with the camera alone, to approach reality alone, meant so much. I made a few dozen small documentaries, and that was the birth of a way to approach reality with a camera.
I find it fascinating that you can look at the same problem from different perspectives and approach it using different methods.
You used to have to own a radio tower or television tower or printing press. Now all you have to have is access to an Internet cafe or a public library, and you can put your thoughts out in public.
I stared at the creased map on my wall, the thin green line connecting all the places I had read about. There they were, all the cities of my imaginary future, held together with tape and marker and pins. In six months, a lot had changed. There was no thin green line that could lead me to my future anymore. Just a girl.
My mother was a stout woman with a man's name - Billie. She was plain-faced with honest eyes - no black grease by the lash line, no blue powder on the lids, eyebrows not plucked up high and thin.
As far as documentaries go, I believe unreservedly that they serve an important function in our culture. I'd love to be able to make both documentaries and feature films simultaneously, but so far that hasn't happened.
Much scientific truth proved to be as hypothetical as poetic allegory. The relationshiip of those rod-connected blue and red balls to an actual atomic structure was about the same as the relationship of Christianity to the fish or the Lamb.
There's no other way to learn about it, except through documentaries. I encourage documentarians to continue telling stories about World War II. I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today. Documentaries are the first line of education, and the second line of education is dramatization, such as The Pacific.
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