You've got to remember the Cold War was a very real thing then, so the relationship with the United States was very, very important. As was the relationship that I was developing with China: that was something I did very much. And they weren't conflicting things.
It's in the vein, somewhere in a cross between The Beatles, Cheap Trick, The Stones, Badfinger, you know, but it's not retro at all. But it is very pop.
A lot of people say I'm not very friendly, that I'm cold. But I'm just the opposite. I live a very simple life. I'm a normal person, very sensitive, very caring about those around me.
I was quite nervous about meeting William's father, but he was very, very welcoming, very friendly, it couldn't have gone easier really for me.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
I was very interested in the relationship between the man who speaks and the woman who listens. I was drawn to the idea that the relationship between a man and a woman can be something like a war itself, very cruel and violent.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
Seattle's support system got me through those early, difficult years. It was a very funky, very friendly, very relaxed place that had it all for a writer.
I have a family. I'm married. I'm very, very happy. I wanted to make a movie for my wife and a movie that speaks to what it is to be in a long term, very, very committed relationship because at the heart that's really what it is.
One would like to be grand and heroic, if one could; but if not, why try at all? One wants to be very something, very great, very heroic; or if not that, then at least very stylish and very fashionable. It is this everlasting mediocrity that bores me.
I did not grow up watching much TV and film. I had a very, very, very, very, very, very church family, and a lot of, like, secular stuff was not around my house.
English people ... are very kind, very friendly, interested in a general way, and consider us a great, wonderful, unknown sort of Australia, and that is all.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
Teaching is very important. The nature of your personality isn't that important. Lombardi was very extraverted, very bombastic. Landry very quiet, reserved. Both were great teachers and great coaches.
The Beatles came and everybody forgot about everything else. That was a friendly, together, hip interpersonal music, introducing electric sustain, and it captured the imagination of everybody. So improvising, even though it was in a very rich period in terms of impact on the public, the '6Os were very hard times on players financially.
I think the relationship between cable and satellite and telco pay TV service providers and the content industry is a very, very solid one.