A Quote by Kelly Asbury

It happens a lot that a name actor will be signed on to a project in its germ stage. — © Kelly Asbury
It happens a lot that a name actor will be signed on to a project in its germ stage.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
David Holdaway was my stage name. I was an actor for about eight years in the '90s. I had to change my name because there was another David Nicholls, and I thought if I changed it to my mother's name, she'd be touched.
Wilderness is a necessity ... They will see what I meant in time. There must be places for human beings to satisfy their souls. Food and drink is not all. There is the spiritual. In some it is only a germ, of course, but the germ will grow.
It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.
It quite often happens that they attach a name to a project and it doesn't get all the financing it needs.
I definitely want people to believe that if I have signed a project, it will be good.
I would like to be able to be both a film actor and a stage actor - to be an American actor in the style of a lot the English actors who do films. They are these wonderful actors who can do everything.
If you allow one single germ, one single seed of slavery to remain in the soil of America... that germ will spring up, that noxious weed will thrive, and again stifle the growth, wither the leaves, blast the flowers and poison the fair fruits of freedom.
I found that my name signed to a check was even more welcome than when signed to a letter.
I came up with the Vic Reeves character for a stage project and people presume that's my name, even when I do other acting jobs.
Everything that I write will be signed with my name.
I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
A lot of ideas get re-used and made part of new songs if the first version didn't cut the mustard, and the stuff that gets left off usually contained the germ of something good but failed to reach a satisfactory state by the recording stage.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
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